Beatles Bio

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Beatles Pictures

The Beatles were a rock and pop group formed in Liverpool, England in 1960 who became one of the most commercially successful and critically acclaimed bands in the history of popular music. During their years of stardom, the band consisted of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals, piano), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals), and were managed by Brian Epstein until his death in 1967. Although their initial musical style was rooted in 1950s rock and roll and skiffle, the group worked with different musical genres, ranging from Tin Pan Alley to psychedelic rock. Their clothes, style and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s.

Returning to Liverpool following periods of Hamburg residency during 1960, 1961 and 1962, the group appointed Epstein manager, and he negotiated a record contract with EMI. The single "Please Please Me" achieved UK chart success in late 1962. The group attracted fervent interest, termed "Beatlemania", during tours of the UK and Europe throughout the next year. "I Want to Hold Your Hand" found U.S. chart success at the close of 1963, spearheading the group's international popularity, and they toured the U.S. and other countries over the next three years. During this period, Lennon, McCartney, Harrison and Starr were each honoured with an MBE. In 1966 the group found themselves mired in controversy, including widespread antipathy in the U.S. after a magazine published a quote from Lennon's remarks on Christianity. They ceased to perform commercial concerts after the 1966 U.S. tour, concentrating instead on studio work and enjoying continued international chart success. In 1967 the group met Maharishi Mahesh Yogi, who introduced them to Transcendental Meditation. The same year, Epstein died from an overdose of a prescription drug. The group spent time in India, treating the Maharishi as their guru for a short time, but became disillusioned with him. Increasingly dominated by conflict, and further alienated from one another by a disagreement about the appointment of a new financial adviser, the group disintegrated in 1970. All four members embarked upon successful solo careers.

The Beatles have sold over one billion records internationally. In the United Kingdom they released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. According to the Recording Industry Association of America, they have sold more albums in the United States than any other band, and in 2004, Rolling Stone magazine ranked them number one in its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary, with The Beatles at #1. The Beatles were collectively included in Time in their list of The Most Important People of the 20th Century.

Beatles: Formation

In March 1957, John Lennon formed a skiffle group called The Quarrymen. On July 6 of the same year, Lennon met Paul McCartney, who agreed to join as a guitarist. McCartney invited George Harrison to watch the group during February 1958, and Harrison joined as lead guitarist. The group's drummer, Colin Hanton, left in 1959, after which they had difficulty finding a permanent drummer. Stuart Sutcliffe, a fellow student of Lennon's at the Liverpool College of Art, joined on bass in January 1960. During the year they went through a succession of name-changes. Sutcliffe suggested "The Beetles" as a tribute to Buddy Holly and The Crickets, and for the first few months of 1960 they were known as "The Beatals". Other names included "Johnny and the Moondogs", "Long John and The Beetles" and "The Silver Beatles". The band finally became "The Beatles" in August 1960. The lack of a permanent drummer posed a problem when the group's unofficial manager Allan Williams booked them to perform as resident band for a period in Hamburg, West Germany.

Beatles: Hamburg residency, and Liverpool's Cavern Club

Beatles - 1960

The Indra Club, where The Beatles first played on arriving in Hamburg, as it appeared in 2007.

The group auditioned drummer Pete Best on 12 August 1960. Four days after hiring Best, they left for Hamburg, contracted to Bruno Koschmider for a 48-night residency. Initially placing them at the Indra Club, Koschmider moved them to the Kaiserkeller in October after the Indra was closed due to complaints about the noise. When they violated their contract by performing at the rival Top Ten Club, Koschmider reported the under-age Harrison to the German authorities, leading to his deportation on 21 November 1960. McCartney and Best were arrested for arson a week later, after setting fire to a condom hung on a nail in their room. They too were deported. Lennon returned to Liverpool in mid-December. Sutcliffe remained in Hamburg with his new German fiancée Astrid Kirchherr, and the rest of the group played an engagement on 17 December 1960 at Liverpool's Casbah Coffee Club, with Chas Newby substituting for Sutcliffe.

Beatles - 1961-1962

During 1961 and 1962, the group were engaged for further periods in Hamburg. They also became increasingly popular in Liverpool, making frequent appearances at The Cavern Club, where Brian Epstein first saw them perform. Returning to Hamburg's Top Ten club in April 1961, they were recruited by singer Tony Sheridan, also resident at the club, to act as his backing band on a series of recordings for the German Polydor Records label. Bert Kaempfert, acting as producer, contracted the group to Polydor at the first session on 22 June 1961. The single "My Bonnie", released on 31 October, entered the German charts. A few copies were also pressed under the American Decca Records label. When the group returned to Liverpool, Sutcliffe stayed in Hamburg with Kirchherr, so McCartney switched from guitar to bass.

The Beatles signed a five-year contract with Epstein on 24 January 1962. Kaempfert agreed to release The Beatles from their Polydor contract, but Decca Records A&R executive Dick Rowe turned Epstein down, informing him that "Guitar groups are on the way out, Mr. Epstein." (See The Decca audition.) Epstein then approached an EMI marketing executive, Ron White, who contacted EMI producers Norrie Paramor, Walter Ridley, and Norman Newell, all of whom declined to record the band. EMI's fourth staff producer, George Martin, was on holiday at the time. In April the group returned to Hamburg for a seven-week residency at the Star-Club. Upon their arrival, they were informed of Sutcliffe's death from a brain haemorrhage.

Epstein went to the HMV store on Oxford Street in London to transfer the songs recorded at Decca's studio to discs. He was referred to Sid Coleman, who ran EMI's publishing department. Epstein eventually met with Martin, who signed the group to EMI's Parlophone label on a one-year renewable contract.

After the first recordings, Martin complained to Epstein about Best's drumming, and suggested that the band use a session drummer in the studio. Epstein was already exasperated with Best's refusal to adopt the groups's unified look onstage, and when the group heard about Martin's feelings they asked Epstein to dismiss Best, which he did on 16 August 1962, replacing him with Ringo Starr. As the drummer for Rory Storm and the Hurricanes, Starr had performed occasionally with The Beatles when Best was ill. After joining the band, he played during the second EMI recording session, on 4 September 1962. Martin then hired session drummer Andy White for the 11 September session, although White's only released performances were recordings of "Love Me Do" and "P.S. I Love You". "Love Me Do" produced a minor UK hit, peaking at number seventeen on the chart, and in May 1964 would reach the top of the U.S. singles chart.

On 26 November 1962, the band recorded their second single, "Please Please Me", which reached number two in the UK. Three months later they recorded their first album, also titled Please Please Me. The follow up single, "From Me to You", gave them their first UK number one. On 17 October 1962, they made their TV debut with a performance on the regional news programme People and Places, transmitted live from Manchester by Granada Television. As their popularity spread, the frenzied adulation of the group was dubbed "Beatlemania".

Beatles: Chart success, Beatlemania, film, and touring years

Beatles - 1963

The "drop-T" logo

In 1963, The Beatles' iconic "drop-T" logo made its appearance. Designed by Ivor Arbiter, the logo was first used on the front of Starr's bass drum.

The band toured the UK four times during the year. February's four-week tour was followed by three-week tours in March and May and a six-week tour in November. As well as the four tours, the group gave numerous one-off shows across the UK. Performances everywhere were attended with riotous enthusiasm by screaming fans. Police found it necessary to use high-pressure water hoses to control the crowds, and there were debates in Parliament over the thousands of police officers putting themselves at risk to protect the group. Although not billed as tour leaders, The Beatles overshadowed the other acts, including Tommy Roe, Chris Montez and Roy Orbison, U.S. artists who had established great popularity in the UK.

The first single releases in the United States were delayed when Capitol Records, although owned by EMI, declined to issue either "Please Please Me" or "From Me to You". Negotiations with independent record labels produced some releases, but there were other obstacles to commercial success, including issues with royalties and derision of the Beatle haircut. In December 1963, Capitol rush-released "I Want to Hold Your Hand" after a news broadcast about Beatlemania in the UK triggered sudden demand, and U.S. chart success followed rapidly.

Beatles - 1964

On 7 February 1964, the day of the first Beatles trip to the United States, an estimated four thousand fans congregated at Heathrow Airport, waving and screaming as the aircraft left the ground. "I Want to Hold Your Hand" had sold 2.6 million copies in the U.S. over the previous 2 weeks, but the group were still nervous about how they would be received. Their arrival at John F. Kennedy Airport was greeted by another large, vociferous crowd, estimated at about three thousand in number. Two days after landing in the U.S. they gave their first live American television performance on The Ed Sullivan Show, watched by approximately seventy-four million viewers-a number representing about half the American population at the time. The morning after the show, one newspaper wrote that The Beatles "could not carry a tune across the Atlantic", but their first U.S. concert, staged a day later at Washington Coliseum, Washington, D.C., saw Beatlemania start in the United States too. After performing at Carnegie Hall, New York the following day, the band appeared on the weekly Ed Sullivan Show for the second time, returning to the UK on 22 February 1964. During the week of 4 April 1964, The Beatles held twelve positions on the Billboard Hot 100 singles chart, including the top five positions. Their popularity in the United States led to a number of other UK acts making their own U.S. debuts, touring successfully over the next three years in what was termed the British Invasion.

The Beatles toured internationally from 4 to 30 June 1964, performing in Denmark, Hong Kong, Australia and New Zealand. After a handful of concerts back in the UK, they gave two performances in Sweden. In August they returned to the United States, building on February's shows with a thirty-concert tour of twenty-three cities.

United Artists Records, noticing Capitol's lack of interest in U.S. record releases in 1963, had encouraged United Artists' film division to offer The Beatles a motion picture deal in the hope that it would lead to a record deal. The first film, A Hard Day's Night, premiered in London and New York in July and August 1964 and was an international success.

Beatles - 1965

In June 1965, Queen Elizabeth II appointed the four Beatles "Members of the Order of the British Empire", MBE. They were nominated by the Prime Minister, Harold Wilson. The appointment-at that time primarily bestowed upon military veterans and civic leaders-sparked some conservative MBE recipients to return their insignia in protest.

On 15 August 1965, The Beatles performed the first major stadium concert in the history of rock 'n' roll at Shea Stadium in New York to a crowd of 55,600. On 27 August 1965, the group arrived at a Bel Air mansion to meet Elvis Presley. Biographer Peter Guralnick maintains that Presley was at best "lukewarm" about playing host to people he did not really know. McCartney later said: "It was one of the great meetings of my life ... I only met him that once, and then I think the success of our career started to push him out a little, which we were very sad about, because we wanted to co-exist with him." Marty Lacker, a friend of Presley's, recalls the singer saying, "'Quite frankly, if you guys are going to stare at me all night, I'm going to bed. I thought we'd talk a while and maybe jam a little.' And when he said that, they [The Beatles] went nuts." The group and Presley told stories, joked and listened to records, and had an impromptu jam session: "They all went to the piano," says Lacker, "and Elvis handed out a couple of guitars. And they started singing Elvis songs, Beatle songs, Chuck Berry songs. Elvis played Paul's bass part on "I Feel Fine", and Paul said something like, 'You're coming along quite promising on the bass there, Elvis.' I remember thinking later, 'Man, if we'd only had a tape recorder.'"

The Beatles' sixth album, Rubber Soul, was released in early December 1965, and was critically hailed as a major leap forward in the maturity and complexity of the band's music.

Beatles: Controversy, studio years, and breakup

Beatles - 1966

In July 1966, during a tour of the Philippines, they unintentionally snubbed the nation's first lady, Imelda Marcos, who had expected the group to attend a breakfast reception at the Presidential Palace. When presented with the invitation, Epstein politely declined on behalf of the group, as it had never been his policy to accept such official invitations. The group soon found that the Marcos regime was unaccustomed to accepting "no" for an answer; the resulting riots endangered the group which managed to escape the country with difficulty.

Almost as soon as they returned from the Philippines, an earlier comment made by Lennon in March of that year launched a backlash against The Beatles from religious and social conservatives in the USA. In an interview with British reporter Maureen Cleave, Lennon had offered his opinion that Christianity was dying and that The Beatles were "more popular than Jesus now". When the interview was reprinted in a teenage fan magazine in the USA, a backlash developed in the American South's "Bible belt." Lennon apologised, but South Africa banned airplay of their records until 1971.

Capitol Records' release of the Beatles album Yesterday and Today (which used a publicity shot also used in a poster promoting the UK release of "Paperback Writer") created an uproar, as the cover featured the group dressed in butcher's overalls, with raw meat, and mutilated plastic dolls. A popular, though apocryphal, rumour was that this was meant as a response to the way Capitol had "butchered" their albums. Thousands of copies of the album had a new cover pasted over the original. Uncensored copies of Yesterday and Today command a high price today, with one copy selling for $10,500 at a December 2005 auction.

Presley apparently disapproved of The Beatles's anti-war activism and use of drugs, later asking President Richard Nixon to ban all four members of the group from entering the United States. Peter Guralnick writes, "'The Beatles', Elvis said, [...] 'had been a focal point for anti-Americanism. They had come to this country, made their money, then gone back to England where they fomented anti-American feeling.'" Guralnick added: "Presley indicated that he is of the opinion that The Beatles laid the groundwork for many of the problems we are having with young people by their filthy unkempt appearances and suggestive music while entertaining in this country during the early and middle 1960s." McCartney later remarked that he "felt a bit betrayed [by Presley's views] ... The great joke was that we were taking drugs, and look what happened to [Elvis]. ... It was sad, but I still love him. ..." Bob Dylan, however, recognised The Beatles' contribution, stating: "America should put up statues to The Beatles. They helped give this country's pride back to it."

In August 1966, at the end of the last U.S. tour, The Beatles had performed their final commercial concert at Candlestick Park, San Francisco. In November they began recording Sgt. Pepper's Lonely Hearts Club Band. Nearly seven hundred hours of studio time were devoted to recording the album, and the elaborate musical complexity of the result, created using only four-track recording technology, astounded contemporary artists seeking to outdo The Beatles. After hearing "Strawberry Fields Forever", Beach Boys' leader Brian Wilson felt he had been usurped and spent years in bed.

Beatles - 1967

Sgt. Pepper was released in June 1967, and the same month, the group performed "All You Need Is Love" to TV viewers worldwide using the first live global television link. In August 1967, The Beatles met Maharishi Mahesh Yogi for the first time.

While The Beatles were at a weekend Transcendental Meditation retreat with the Maharishi in Bangor, Epstein's assistant Peter Brown called to tell them that Epstein had died. The coroner ruled Epstein's death an accidental overdose, but the press speculated it was a suicide at least in part because of a rumour that a suicide note was discovered among Epstein's possessions.

Lennon said that Epstein's death marked the beginning of the end for the group: "I knew that we were in trouble then ... I thought, We've fuckin' had it now". Epstein had been in a fragile emotional state due to issues surrounding his personal life, and stress related to his business relationship with The Beatles, as his management contract with them was due to expire in the fall of 1967, and he worried that The Beatles might not renew his contract, based on their discontent with his handling of business matters, including Seltaeb; the company that handled Beatle merchandising rights in the United States. Epstein's death left the group disoriented and fearful about the future. Lennon said later, "I didn't have any misconceptions about our ability to do anything other than play music and I was scared".

In the winter of 1967-1968, The Beatles received their first major negative reviews for the Magical Mystery Tour TV film.

Beatles - 1968

After relying on Epstein since the start of their success, the group turned to the Maharishi as their guru. They arranged to spend three months in India with him at his ashram in Rishikesh. Although Starr returned to England after ten days, the time the remaining members spent in India was one of their most creative periods. During February, March and April 1968, they composed dozens of songs, seventeen of which were recorded for The Beatles, popularly known as The White Album.

Yanni Alexis Mardas, The Beatles' electronics technician referred to as Magic Alex or "the Greek wizard", had accompanied the group to the ashram. Mardas expressed the view that the Maharishi was attempting to manipulate them. Near the end of the three-month visit he convinced the group that the Maharishi was not all he had seemed. Lennon's anger led him to write a song called "Maharishi" to make his opinion known, but the title was changed to avoid a legal suit, becoming "Sexy Sadie". McCartney said, "We made a mistake. We thought there was more to him than there was".

On returning from India The Beatles formed Apple Corps, which Epstein had planned to do, as a way of creating a tax-effective company structure. The album Magical Mystery Tour proved popular in the U.S., setting a new record in its first three weeks for highest initial sales of any Capitol album. The Beatles, the first Apple Records album release, was also popular, reaching #1 in the UK and the U.S. among other countries. But during recording sessions for the album, divisions and dissent had started to drive the group apart, and Starr had quit the band for a period, leaving McCartney to perform drums on several tracks.

Beatles - 1969-1970

In January 1969, The Beatles began a film project documenting the making of Let It Be, an album originally to have been titled Get Back. During the recording, the band gave their final live performance on the rooftop of the Apple building at 3 Savile Row, London, on 30 January 1969. Most of the performance was filmed and later included in the film Let It Be. The project was put aside, later to be mixed and orchestrated by the American producer Phil Spector, who had produced Lennon's solo single "Instant Karma!". Conflict arose within the band regarding the appointment of a financial adviser, the need for which had become evident without Epstein to manage business affairs. Lennon favoured Allen Klein, who had negotiated contracts for several UK bands including The Rolling Stones during the British Invasion, but McCartney's choice was John Eastman. Agreement could not be reached, so both were appointed, but further conflict ensued and financial opportunities were lost.

The Beatles recorded their final album, Abbey Road, in the summer of 1969. The completion of the song "I Want You (She's So Heavy)" for the album, on 20 August 1969, was the last time all four Beatles were together in the same studio. Lennon announced his departure to the rest of the group on 20 September 1969, but agreed that no public announcement would be made until a number of legal matters were resolved. Their final new song was Harrison's "I Me Mine", recorded 3 January 1970 and released on Let It Be. It was recorded without Lennon, who was in Denmark at the time.

To complete the Let It Be album, Klein gave the Get Back session tapes to Spector in March 1970, resulting in a Wall of Sound production that went against McCartney's original intent. McCartney was deeply dissatisfied with Spector's addition of fifty musicians to "The Long and Winding Road", and attempted to halt the release of Spector's version, but was unable to do so. He gave this as one of the three reasons he left the group. McCartney publicly announced his departure on 10 April 1970, a week before releasing his first solo album, McCartney. Pre-release copies of McCartney's album included a press release with a self-written interview, explaining the end of his involvement with The Beatles and his hopes for the future. On 8 May 1970, the Spector-produced Let It Be was released, followed on 20 May by the documentary film of the same name. McCartney filed a suit for the dissolution of The Beatles on 31 December 1970. Legal disputes continued long after the band's breakup, and the dissolution of the partnership finally took effect in 1975.

Beatles: Post-breakup

Beatles - 1970s

Apple Building at 3 Savile Row, site of the Let It Be rooftop concert

Lennon, McCartney, Harrison and Starr all released solo albums in 1970, and continued to release further albums as they developed their post-Beatles musical careers. Some featured contributions by other former Beatles; Starr's Ringo (1973) was the only one to include compositions and performances by all four, albeit on separate songs. Harrison arranged the Concert For Bangladesh in New York City in August 1971 with sitar maestro Ravi Shankar. Other than an unreleased jam session in 1974 (later bootlegged as A Toot and a Snore in '74), Lennon and McCartney never recorded together again.

In the wake of the expiration (in 1975) of The Beatles' contract with EMI-Capitol, the American Capitol label, rushing to cash in on its vast Beatles holdings and freed from the group's creative control, released five LPs: Rock 'n' Roll Music (a compilation of their more up-tempo numbers) The Beatles at the Hollywood Bowl (containing previously unreleased portions of two shows at the Hollywood Bowl during their 1964 and 1965 U.S. tours), Love Songs (a compilation of their slower numbers) Rarities (a compilation of tracks that either had never been released in the U.S. or had gone out of print) and Reel Music (a compilation of songs from their films). There was also a non-Capitol-EMI release entitled Live! at the Star-Club in Hamburg, Germany; 1962, a compilation of recordings made during the group's Hamburg residency, taped on a basic recording machine with one microphone. Of all these post-breakup LPs, only the Hollywood Bowl LP had the approval of the group members. Upon the American release of the original British CDs in 1986, Capitol deleted the post-breakup American compilation LPs from its catalogue.

Beatles - 1980s

Lennon was shot and killed on 8 December 1980, in New York City. As a personal tribute to Lennon, Harrison wrote new lyrics for "All Those Years Ago", a song about his time with The Beatles recorded the month before Lennon's death. The song, featuring Starr on drums, was overdubbed with the new lyrics before being released as a single in May 1981. McCartney and his wife, Linda McCartney, contributed backing vocals to the track. McCartney's own tribute, "Here Today", appeared on his Tug of War album released in April 1982.

In 1988, their first year of eligibility, The Beatles were inducted into the Rock and Roll Hall of Fame. Harrison and Starr attended the ceremony along with Lennon's widow, Yoko Ono, and his two sons, Julian Lennon, and Sean Lennon. McCartney did not attend, issuing a press release saying, "After 20 years, the Beatles still have some business differences which I had hoped would have been settled by now. Unfortunately, they haven't been, so I would feel like a complete hypocrite waving and smiling with them at a fake reunion." The following year, EMI-Capitol settled a decade-long lawsuit by The Beatles concerning royalties; this cleared the way to commercially package previously unreleased material, leading to the Live at the BBC album and the Anthology project.

Beatles - 1990s

In 1994 McCartney, Harrison and Starr reunited for the Anthology project, the culmination of a work begun in the late 1960s by Neil Aspinall. Initially The Beatles' road manager, and then their personal assistant, Aspinall began to gather material for a documentary after he became director of Apple Corps in 1968. The Long and Winding Road, as Aspinall provisionally titled his Beatles history, was shelved, but as executive producer for the Anthology project Aspinall was able to complete his work. Documenting the history of The Beatles in the band's own words, the project saw the issue of previously unreleased Beatles recordings, and McCartney, Harrison and Starr also added new instrumental and vocal parts to two demo songs recorded by Lennon in the late 1970s. During 1995 and 1996 the project yielded a five-part television series, an eight-volume video set, three two-CD box sets and two singles. The CD box sets featured artwork by Klaus Voorman, known by The Beatles since their Hamburg days and creator of the Revolver album cover in 1966. The releases were commercially successful and the television series was viewed by an estimated 400 million people worldwide.

Beatles - 2000s

Harrison died on 29 November 2001 after being diagnosed with lung cancer in the late 1990s.

Between 2004 and 2006, Martin and his son Giles Martin remixed 130 original Beatles recordings to create "a way of re-living the whole Beatles musical lifespan in a very condensed period" as a soundtrack for Cirque du Soleil's theatrical production Love. The soundtrack was released as the album Love in 2006. McCartney and Starr gave their thoughts on the show in a 2007 interview on Larry King Live, and Beatle widows Yoko Ono and Olivia Harrison appeared with McCartney and Starr in Las Vegas for the one-year anniversary of Love. Also in 2007, reports circulated that McCartney was hoping to complete "Now and Then", a third Lennon track worked on during the Anthology sessions, which would be credited as a "Lennon/McCartney composition" by writing new verses, and reworked by laying down a new drum track recorded by Starr and utilising archival recordings of Harrison's guitar work.

Lawyers for The Beatles sued on 21 March 2008 to prevent the distribution of unreleased recordings purportedly made during Starr's first performance with the group in 1962. The dispute between Apple Corps Ltd. and Fuego Entertainment Inc. of Miami Lakes stemmed from recordings apparently made during a performance at the Star Club in Hamburg, Germany. In November 2008, McCartney revealed the existence of a 14-minute experimental recording The Beatles made called "Carnival of Light", saying he would like to see it released but it would require approval from Starr, Yoko Ono and Olivia Harrison.

On 4 March 2009, the BBC reported that McCartney would headline a charity concert with one of the special guests listed as Starr. The concert took place on 4 April 2009 at Radio City Music Hall. On 14 April 2009, Tom Petty, Jeff Lynne, Eric Idle, Jim Keltner, McCartney, and Joe Walsh joined Harrison's wife, Olivia, and his son, Dhani, for the Hollywood Walk of Fame star dedication for Harrison in Los Angeles.

The Beatles: Rock Band, a video game in the style of Rock Band and based solely on The Beatles, is currently in development and scheduled for a release of 9 September 2009. On the same day, remastered CDs of the twelve original albums (from Please Please Me to Abbey Road, plus Magical Mystery Tour and Past Masters) will be released in two versions, original Mono or Stereo.

Beatles: Influences

When the group were still called The Quarrymen and were making the transition from skiffle, among the rock and roll songs they began to incorporate into their act were those of Elvis Presley and Little Richard, and from 1957 until their last commercial concert in 1966, the group performed more covers by Chuck Berry than by any other artist. The Beatles appeared with Little Richard at the Star Club in Hamburg from April to May 1962, and during the residency friendships were formed and the singer gave advice regarding techniques for performing his songs. Of Presley, Lennon said, "Nothing really affected me until I heard Elvis. If there hadn't been Elvis, there would not have been The Beatles":

Other early influences include Buddy Holly, Eddie Cochran, Carl Perkins, and Roy Orbison.

Among inspirations for the Beatles' music may have been the music in the Black clubs of Liverpool in the late 1950s, which in turn may have drawn partly on Irish and Welsh singers. Liverpool-born Black men to a large extent are descended from African seafarers who worked in the Africa-U.S. slave trade about a century earlier and married local Irish and English white women as well as Afro-Caribbean immigrants after World War II. Their work and their relationships with other people in Liverpool and England likely influenced their music, thence the Beatles' music.

The Beatles continued to absorb influences long after their initial success, often finding new musical and lyrical avenues by listening to their contemporaries, including Bob Dylan Frank Zappa (Freak Out!), the Byrds and the Beach Boys, whose album Pet Sounds amazed and inspired McCartney. Martin stated that "Without Pet Sounds, Sgt. Pepper wouldn't have happened... Pepper was an attempt to equal Pet Sounds."

Beatles: Musical evolution

Beatles - Genres

Originating as a skiffle group, the band evolved to embrace 1950s rock and roll. As rock and roll faded and Tin Pan Alley's influence resurfaced, the band's repertoire expanded in the 1960s to include pop. Beginning with the use of a string quartet on "Yesterday" in 1965, The Beatles pioneered a modern form of art rock, exemplified by the double-quartet string arrangement on "Eleanor Rigby" (1966) and "She's Leaving Home" (1967). The band moved towards psychedelic rock with "Rain" and "Tomorrow Never Knows" from 1966, and "Lucy in the Sky with Diamonds", "Strawberry Fields Forever" and "I Am the Walrus" from 1967.

Beatles - Contribution of George Martin

George Martin's close involvement with The Beatles in his role as producer earned him the monicker "the fifth Beatle". He realized the significance of the band's sessions in the recording studio in between other demands on their time, later saying, "Coming into the studio was a refuge for them. It was the time and place when nobody could get at them. The strange hours for their sessions were really necessary because of the frenetic life they were forced into. Recording was important but it had to be squeezed in between everything else". As he worked with the band, Martin brought his classical musical training to bear. They were initially unenthusiastic when he suggested adding a string quartet accompaniment to "Yesterday", but the result was a revelation to them. Martin began to use the sessions to act as their music teacher and this, coupled with his willingness to experiment with suggestions they started to make such as adding "something baroque", enabled their creativity to develop in new directions.

Beatles - In the studio

In the recording studio The Beatles took innovative approaches to the use of technology, treating the studio as an instrument in itself and working closely with recording engineers, urging experimentation and regularly demanding, "Just try it [!] it might just sound good". At the same time they constantly sought ways to put chance occurrences to creative use, examples being accidental guitar feedback, a resonating glass bottle or a tape loaded the wrong way round so that it played backwards, and incorporated the resulting sounds into their music. The Beatles' constant demands to create new sounds on every new recording, combined with Martin's arranging abilities and the studio expertise of EMI staff engineers such as Norman Smith, Ken Townsend and Geoff Emerick, all played significant parts in the innovative sounds of the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967).

Along with studio tricks such as sound effects, unconventional microphone placements, tape loops, double tracking and vari-speed recording, The Beatles began to augment their recordings with instruments that were unconventional for rock music at the time. These included string and brass ensembles as well as Indian instruments such as the sitar in "Norwegian Wood (This Bird Has Flown)" and the swarmandel in "Strawberry Fields Forever". They also used early electronic instruments such as the Mellotron, with which McCartney supplied the flute voices on the intro to "Strawberry Fields Forever", and the clavioline, an electronic keyboard that created the unusual oboe-like sound on "Baby You're a Rich Man".

Beatles: Legacy

Beatles - Influence on popular culture

The Beatles' influence on popular culture was-and remains-immense. From the 1920s, the United States had dominated popular entertainment culture throughout the world, with the show business and superstars of Broadway, Tin Pan Alley and Hollywood and the music of Memphis, Tennessee. Known as the "Birthplace of the Blues", the city of Memphis had led a musical evolution from blues in the 1920s, through rock and roll in the 1950s to, in the early 1960s, soul. British bands in the 1960s, among them The Beatles, aspired to emulate the sounds of Memphis musicians including Elvis Presley-without whom, according to Lennon, "there would not have been the Beatles". But The Beatles, triggering the British Invasion, became a major new influence in the United States and internationally, establishing the popularity of British bands and inspiring the music of other bands worldwide-including those subsequently formed in Memphis. The Beatles redefined the album as something more than just a small number of hits padded out with "filler" tracks, and they were the originators in the United Kingdom of the now common practice of releasing video clips to accompany singles. They became the first entertainment act to stage a large stadium concert when they opened their 1965 North American tour at Shea Stadium. A large number of artists have acknowledged The Beatles as a musical influence or have had chart successes with covers of Beatles songs. The band also affected attitudes to fashion worldwide when in the 1960s there was widespread imitation of their haircuts and clothing.

Beatles - Radio

The arrival of The Beatles is seen in radio as a touchstone in music signalling an end to the rock-and-roll era of the 1950s. Program Directors like Rick Sklar of WABC in New York went as far as forbidding DJs from playing any "pre-Beatles" music.

Beatles - Recreational drug use

In Hamburg, The Beatles used Preludin both recreationally and to maintain their energy through all-night performances. Bob Dylan introduced them to cannabis during a 1964 visit to New York. In April 1965, Lennon and Harrison's dentist spiked their coffee with LSD when they were his guests for dinner. Later, the two experimented with the drug voluntarily, joined by Starr on one occasion. McCartney was reluctant to try it, but eventually did so in 1966, and was the first Beatle to talk about it in the press, saying in June 1967 that he had taken it four times. The Beatles added their names to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma, and was signed by 65 people, including Epstein, Graham Greene, R.D. Laing, 15 doctors, and two MPs.

Beatles: Films

The Beatles appeared in five motion pictures, all of which featured associated soundtrack albums. The band played themselves in two films directed by Richard Lester, A Hard Day's Night (1964) and Help! (1965). The group produced, directed, and starred in the hour-long television movie Magical Mystery Tour (1967). The psychedelic animated film Yellow Submarine (1968) followed the adventures of a cartoon version of the band; the members did not provide their own voices, appearing only in a brief live-action epilogue. Their final film, the documentary Let It Be, released in 1970, followed the rehearsals and recording sessions for the early 1969 Get Back project and won the Academy Award in 1971 for Best Original Song Score.

From 1965 until 1969, The Beatles were the subject of their own Saturday morning cartoon series, which loosely continued the kind of slapstick antics of A Hard Day's Night. Two Beatles songs were played in each half-hour show, with The Beatles' cartoon counterparts "lip-synching" the actual Beatles recordings. Some of the song performances, such as those from A Hard Day's Night, appeared to have been rotoscoped. The regular speaking voices of the characters were not supplied by The Beatles themselves, but rather by voice artists Paul Frees and Lance Percival.