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List Price: $14.94 | | Label: Sony Pictures
Salesrank: 20485
Released: May 2, 2006 |
| Our Price: $3.94 |
| Used Price: $3.40 |
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MPAA Rating: R (Restricted)
Media: DVD |
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Editorial Review:
A neurotic, overly-analytical man leaves his girlfriend repeatedly in order to find out if she is really the perfect one.
Genre: Feature Film-Comedy
Rating: R
Release Date: 1-JAN-2007
Media Type: DVD
Description of Modern Romance:
It's just your typical boy-dumps-girl, boy-has-change-of-heart, boy-alienates-girl-anew love story. This romantic comedy, the last word on obsessive, can't-live-with-'em, can't-live-without-'em relationships, holds a special place in the hearts of Albert Brooks fans. Brooks stars as film editor Robert Cole, who breaks up--again, apparently--with Mary (Kathryn Harrold). They are in a no-win situation, he tells her, like Vietnam. The sequence that follows is an excruciating, intimately observed tour de force: Robert's long night's journey into day. Miserable, spaced out on Quaaludes, he stumbles around his apartment, admiring his record collection ("I love my albums"), rifling through his Rolodex, making a blind date call he will instantly regret. He becomes determined to win Mary back, but again falls prey to his possessiveness and paranoia, as when he happens to find Mary's phone bill and becomes obsessed over a long-distance number.
Modern Romance is characteristically deadpan in its depiction of one man behaving badly. The dialogue is vintage Brooks, as when he tells a colleague (Bruno Kirby) that he and Mary always enjoyed great sex but could never really talk. "Do you need to talk?" his friend asks, which would be the topper in anyone else's comedy. But Brooks dismisses this cheap joke with, "We're men. Can we have a bond?" A hilarious subplot concerns Robert's work on a cheesy science fiction film that stars George Kennedy. James L. Brooks (no relation), who would direct Brooks to an Oscar nomination in Broadcast News, is hysterical as the deluded director who resists Robert's best, painstaking efforts to improve the film.
For some, Modern Romance is a comedy, for others, a horror film (Robert is as relentless as Michael Myers and as much a nightmare as Freddy). See it and squirm with someone you love. --Donald Liebenson
Modern Romance Reviews:
Painfully Funny 
2008-10-24 - In the very funny MODERN ROMANCE (1981), director and star Albert Brooks reminds us of Larry David in CURB YOUR ENTHUSIASM. He makes us laugh, but at the same time we're finding his actions so obnoxious that they're almost painful to watch.
Perhaps that's because both Brooks and David bring a strong element of truth to their comedic efforts.
Brooks plays a successful film editor, obsessively in love with bank exec Kathryn Harrold. Theirs, however, is not an easy relationship. They continually break-up, then reunite. He grills her about her long-distance calls, storms into her business conferences and does other objectionable actions that would make most women run for the nearest exit...but not Kathryn.
Brooks also takes a couple of hilarious shots at the film-making process, and his ultra-short date with another girl is priceless.
© Michael B. Druxman
Our Mr. Brooks
2008-02-15 - Writer-director Albert Brooks nearly single-handedly invented the genre of "cringe comedy", paving the way for Ricky Gervais and Larry David. In his best romantic comedy (co-written by frequent collaborator Monica Johnson), Brooks casts himself as a film editor who works for American International Pictures. His obsessive-compulsiveness makes him great at his job, but a royal pain-in-the-a$$ to his devoted girlfriend (Kathryn Harrold), who is becoming exasperated with his penchant for impulsively breaking up with her one day, then begging her to take him back the next. There are many inspired scenes, particularly a protracted sequence where a depressed Brooks takes Quaaludes and precedes to "drunk dial" every woman he's ever dated (like Bob Newhart, Brooks is an absolute master of "the phone bit"). Another great scene features Brooks and his assistant editor (Bruno Kirby) laying down some low budget Foley tracks for a sequence in the cheesy sci-fi movie they're working on. Brooks' brother, Bob Einstein (a regular on Curb Your Enthusiasm) has a funny scene as a sportswear store clerk. Also with George Kennedy (as himself) and real-life director James L. Brooks (no relation) as Brooks' boss.
George Kennedy tells Albert Brooks: "You know nothing!"
2007-09-01 - Lo and behold, this great Albert Brooks movie is FINALLY on DVD. If you haven't seen this movie, you are really missing something. This is probably the greatest relationship comedy next to Woody Allen's ANNIE HALL. Simple yet profound, and funny in ways that those who have been in and out of love will recognize immediately, MODERN ROMANCE is a gem. Watch for a wonderful scene that's set in a film editing room with Brooks, his assistant editor (the late Bruno Kirby - wish he was still with us), and the director (played by BROADCAST NEWS writer/director James Brooks). Kathryn Harrold is lovely and you wish that she had been in more films when you see this movie.
Nearly everyone ends up with a favorite line from this movie. For me, it's a toss-up between actor George Kennedy when he says "You know nothing!" (interesting comment on the film's protagonist, Robert Cole) and when Brooks (as Cole) says to Bruno Kirby's character "C'mon, we're men, can't we have a bond?!"
Only complaint about this DVD (and NOT about the movie): There are no supplementary materials at all. On the DVD of Brooks' first feature film REAL LIFE, there's a small interview with Brooks about making the movie. It would be nice if someone would invest some money in a DVD release of this movie with some commentary from Brooks (and maybe some outtakes?).
Otherwise, a wonderful film that also features some of Brooks' best acting to date.
"The Ludes Kicked in...Right?"
2006-11-03 - I've been a fan of comedian, Albert Brooks since the mid 1970's, when his odd little, comical, short films were included on very early episodes of NBC's 'Saturday Night Live'. Since then he has branched off (both on and off screen) in a motion picture career in a series of hilarious film comedies, that feature his character persona of a self-obsessed (and somewhat spoiled) individual, who wallows & obsesses over his neuroses and insecurites. In otherwords everything is about "Me" with a capitol 'M'! Out of all of these films, my personal favorite is the 1981 relationship-comedy, "Modern Romance". I think I like it so much, because it is the Brooks character at his most neurotic. The film's opening scene is in an L.A. restaurant, where Robert Cole (Brooks), a successful Hollywood film editor, breaks up with his girlfriend, Mary (an excellent Kathryn Harrold). Mary instantly agrees and says "maby this is a good time". This seems to enrage Robert, who acuses her of infidelity and we get the first indications, that this guy dosn't take rejection all to well and he just might 'have a screw loose'. We spend the rest of the film following Robert throughout L.A. as he neurotically tortures himself for breaking up with this woman. He seems to go back and forth, alternately telling himself it's both the "best" and the "worst" thing he's ever done. When Robert eventually talks Mary into getting back together, he then precedes to start driving her crazy with his insecurities and paranoia. Every time he is confronted with evidence of this, he retorts with the mantra, "I do it, because I love you!" I guess what Brooks is saying is that this thing called love, can make us really nutty. So who needs it? Both Brooks and Harrold are excellent in the lead roles. This is really Brook's film, but Harrold makes an excellent straight man, who's character seems to show endless patience in dealing with Brook's craziness. The perfect example of this is a scene, where Robert interrupts Mary's business dinner in a fancy restaurant with a group of Japanese clients and demands she come home with him so they can "mend their relationship". In this wonderfully comic scene, she takes Robert aside and speaks to him like a cross mother, lecturing a badly mannered child. The film goes on and on like this, until it ends with one of the funniest postscripts I have ever seen in a movie. You have to see it to believe it. Also, look for good comic turns from character actor, Bruno Kirby as Brook's steadfast, editing assistant. All the scenes showing Brooks and Kirby at work, editing films are like these perfect little satires of how Hollywood works in creating it's product. Finally, there is an absolutely hilarious cameo from comedian (and Brook's real-life brother) Super Dave Osborne as an over-the-top, passive-agressive, sporting goods salesman. This is a wonderful, small, satiric film about relationships, that will leave you laughing! Highly recommended!
Every line, every scene, BRILLIANT!
2006-05-29 - Albert Brooks is, for some, an acquired taste. His diehard fans love virtually everything he has done, and then there are those who simply don't "get" him. Whichever camp you fall into, this film appeals to everyone. Brooks embodies the typical guy caught in one of those relationships that simply doesn't work but cannot be walked away from. This movie is an insightful comedic tribute to the fact that being obsessed with someone is NOT a healthy basis for a loving relationship.
Spectacular performaces from Mr. Brooks, Kathryn Harold, Bruno Kirby, and terrific cameos from James L. Brooks (no relation), Bob "Super Dave Osborne" Einstein (who IS Brooks' brother....Yes, Albert Brooks real name is....Albert Einstein!), George Kennedy and, believe it or not, Harlem Globetrotter Meadowlark Lemon. If for no other reason, see this movie for "the movie within the movie" that Brooks' and Kirby's characters are editing. "You're acting like little WEASELS!"
Enjoy...very highly recommended!
