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List Price: $9.98 | | Label: Righteous Babe
Salesrank: 16629
Released: July 26, 1994 |
| Our Price: $6.33 |
| Used Price: $3.09 |
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| Media: Audio CD |
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Out of Range Track Listing:
1. Buildings and Bridges
2. Out of Range [Acoustic]
3. Letter to a John
4. Hell Yeah
5. How Have You Been
6. Overlap
7. Face up and Sing
8. Falling Is Like This
9. Out of Range [Electric]
10. You Had Time
11. If He Tries Anything
12. Diner
Editorial Review:
Out of Range marks the end of the first phase of Ani DiFranco's career, not so much in terms of the way she goes about her business (as always, on her own terms) but in terms of her songwriting, arranging, performing, and, to a greater extent than ever before, growing popularity. On Range, for the first time, DiFranco's songs sound like they wouldn't be out of place on the radio (in this case, that's a good thing); on the very first track, "Buildings and Bridges," she expresses herself with greater grace and subtlety than ever before. But the message is still loud and clear: she can take what the world will throw at her, and she will persevere. The rest of the album unfolds along similar lines and often reveals similar treasures. --Randy Silver
Out of Range Reviews:
A singer songwriter that inspires you to write 
2009-07-04 - That's how I would best describe Ani Difranco. Talented beyond measure, witty, smart, intelligent, aggresive, beautiful, sexy, honest. All of these adjectives and more serve perfectly to describe songs from Ani, and Out of Range is yet another solid offering from an already very bright star of independent music. One of her more accesible albums, Out of Range brings acoustic grace to anyone willing to hear honest opinions, smart points of view and enough scathing honesty to spot and dice paper thin BS.
My least favorite (overall) early Ani album 
2004-11-24 - This is the only early Ani album where I feel like the review I am writing now will be quite different than it would have been had I written it years ago during my initial exposures to it. This is the early Ani album that has held up the least over the years, in my opinion. As is the case with many of Ani's albums, this one has some of her best tunes ever. Performance-wise though, there is something about this album that doesn't hold me as much as her other early ones still do.
That's not to say that it is a bad album at all. Buildings & Bridges, Hell Yeah, and You Had Time are great performances of some of my favorite of her tunes. It's just that in the years since... take Overlap for instance. In terms of commercially available versions, the Overlap on the Living in Clip live 2-disc set renders this Overlap utterly null and void. Not owning Living In Clip would seem (to me) to be the only possible explanation as to why someone would still listen to the version on Out of Range.
Having said that, obviously anyone who is more than just a casual Ani fan should buy this album. Like I said, the 3 songs/performances I listed earlier are great and are not to be missed. Also with more electricity than her previous (at the time) releases, this one is a bit of a glimpse into her future electric bands and evolving aesthetic.
Letter To a John, Overlap, Out of Range, etc...song-wise, the goods are here, it's just that by now there are performances of these great tunes that seem to make these versions sound like nothing more than the jotting down of some ideas that would go on to bloom into perfection at later dates.
Right on target!
2004-10-07 - Out of Range is an exercise in musical, lyrical, and vocal subtlety by Ani DiFranco. By the time she announces in track 5 that her reference to "two tree limbs" is "a metaphor, if you know what I mean", you've already been drawn into a subliminal lyrical journey quite nicely; the songs are about real life without gloss. The music is pure delight, with sparse acoustic guitar accompaniment dominating many of the songs -- she sometimes resorts to gently plucking the notes of the same chord repeatedly, but deftly avoids becoming monotonous and dull-sounding when she does this. Her simple acoustic moments work perfectly in setting up the explosive moments of electric-guitar playing (and horn playing on one track) that pepper the CD. The lady sings slow ballads and fast rockers with a youthful-McCartney-like adeptness. She is superb.
I like every track on this CD but I wish to comment on two specific songs. With wonderful percussion and a 3-piece horn section accompaniment, "How Have You Been" explodes from the speakers. The raucous music superbly supports the raucous attitude of a lyric about a disenchanted lover. "You Had Time" is an unusual track because it has a gorgeous, two-minute-long, piano introduction that quietly alerts the listener that something important and significant is up. The extended intro seems to represent either a period of meditation and contemplation or the period of loss felt in a dying relationship. The lyric touches on the conflict one feels when one person in a relationship senses that something is missing while the other person believes that they've found bliss. By the way, in my opinion, Ani's lyrics on Out of Range are gender neutral and can be related to by heterosexual people. Don't believe anyone who tells you differently.
You may consider Ani DiFranco's voice on Out of Range to be either exquisite or quirky (depending on your personal taste in vocals) but it is, undeniably, a fascinating mixture of mature sound and childlike sound; she absolutely avoids the annoying childlike-sound of some recent female pop singers. Early in her career, Ani was categorized as a folk singer (note: the local Coconuts Music Store near my home has Ani DiFranco's CDs in its tiny "Folk" section). The "Folk" tag has stuck with her despite the fact that the lady really hits her stride with a very funky rock and jazz-rock style.
Although Ani DiFranco has oft been compared to specific female folkies and rockers, her sound on Out of Range is a synthesis of many who came before her: Rickie Lee Jones, Joni Mitchell, Edie Brickell, Suzane Vega, Natalie Merchant (who, like Ani, hails from western New York) and even Debbi Harry (on the fast songs), to name but a few. It seems to me that Ms. DiFranco has had an influence on the likes of Jewel, Sarah McLachlan, Lisa Loeb, Tori Amos, Rachael Sage, and many others, although her relative obscurity may make that contention an implausible and impossible one in most cases.
Out of Range is an excellent album. If you like vivid melodies, subtle narrative lyrics, and Ani's voice, you should add Out of Range to your music collection.
A Staple in Your Ani Collection
2004-06-18 - OK, so you loved NOT A PRETTY GIRL, IMPERFECTLY and PUDDLE DIVE and you want another album by Ani that's "kind of like those". You're in luck -- there's one left! It's called OUT OF RANGE and it's great.
(Not that the earlier, more simple albums and the later, more synthesized albums aren't great too, but this one sort of rounds out the 'in-your-face folk style quadrilogy".)
Songs like OVERLAP capture deeply personal moments with anger, longing and guts.
YOU HAD TIME is about wishing you loved someone that you know is a good match for you, and who -- even worse -- ouch -- happens to love you deeply.
And of course, there's her trademark political FACE UP AND SING, which is probably the reason for the cliche, "You go, girl." :)
It's another must-have in your Classic Ani collection.
tied for my favorite
2004-02-19 - This is going to go down as one of my favorite albums of all time. It was my first album by ani and to this day i could listin to it whether i am happy or sad or lonely or content. It is a beautiful, beautiful album. It has some of the best songs possibly ever written like buildings and bridges and face up and sing. Its simply a pleasure to listen to.
