 | |
List Price: $27.98 | | Label: Warner Home Video
Salesrank: 134342
Released: January 18, 2005 |
| Our Price: $27.98 |
| Used Price: $14.95 |
|
MPAA Rating: R (Restricted)
Media: DVD |
|
Editorial Review:
The most viscerally frightening and disturbing homicidal maniac picture since The Silence of the Lambs, Seven is based on an idea that's both gruesome and ingenious. A serial killer forces each of his victims to die by acting out one of the seven deadly sins. The murder scene is then artfully arranged into a grotesque tableau, a graphic illustration of each mortal vice. From the jittery opening credits to the horrifying (and seemingly inescapable) concluding twist, director David Fincher immerses us in a murky urban twilight where everything seems to be rotting, rusting, or molding; the air is cold and heavy with dread. Morgan Freeman and Brad Pitt are the detectives who skillfully track down the killer--all the while unaware that he has been closing in on them, as well. Gwyneth Paltrow and Kevin Spacey are also featured, but it is director Fincher and the ominous, overwhelmingly oppressive atmosphere of doom that he creates that are the real stars of the film. It's a terrific date movie--for vampires. --Jim Emerson
While it doesn't rank with such grim classics as The Silence of the Lambs and Seven, D.J. Caruso's Taking Lives offers similarly heavy atmosphere, beginning well before fizzling into absurdity. Freely adapted from the novel by Michael Pye, and set in Montreal (although it was filmed in Quebec City), the plot trades in several familiar tropes of the serial-killer genre, beginning with the FBI agent (Angelina Jolie) who brings her unique skills (and brooding, low-key demeanor) to the vexing case of a killer who, out of apparent self-loathing, steals the identities of his victims and lives their lives until it's time for the next gruesome murder. Ethan Hawke plays the killer's alleged next victim, and in a film filled with twists that grow increasingly unconvincing, Keifer Sutherland is menacingly cast as a shifty suspect. Caruso's previous film was the creepy drug thriller The Salton Sea, so he's well-qualified to infuse Taking Lives with a darkly stylish sense of dread and at least one good shock to keep your adrenaline flowing. The second half essentially betrays the promise of the first, but there's enough going on to hold your interest to the end. --Jeff Shannon
