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List Price: $16.98 | | Label: Virgin Classics
Salesrank: 128131
Released: June 5, 2007 |
| Our Price: $10.00 |
| Used Price: $6.20 |
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| Media: Audio CD |
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David Fray Plays Bach & Boulez Track Listing:
1. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Ouverture
2. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Allemande
3. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Courante
4. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Aria
5. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Sarabande
6. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Menuet
7. Partita for keyboard No. 4 in D major, BWV 828 (BC L4): Gigue
8. Notations, 12 pieces for piano: 1. Fantasque - Mod�r�
9. Notations, 12 pieces for piano: 2. Tr�s vif
10. Notations, 12 pieces for piano: 3. Assez lent
11. Notations, 12 pieces for piano: 4. Rythmique
12. Notations, 12 pieces for piano: 5. Doux et improvis�
13. Notations, 12 pieces for piano: 6. Rapide
14. Notations, 12 pieces for piano: 7. Hi�ratique
15. Notations, 12 pieces for piano: 8. Mod�r� jusqu'� tr�s vif
16. Notations, 12 pieces for piano: 9. Lointain - Calme
17. Notations, 12 pieces for piano: 10. M�canique et tr�s sec
18. Notations, 12 pieces for piano: 11. Scintillant
19. Notations, 12 pieces for piano: 12. Lent - Puissant et �pre
20. French Suite, for keyboard No. 1 in D minor, BWV 812 (BC L19): Allemande
21. French Suite, for keyboard No. 1 in D minor, BWV 812 (BC L19): Courante
22. French Suite, for keyboard No. 1 in D minor, BWV 812 (BC L19): Sarabande
23. French Suite, for keyboard No. 1 in D minor, BWV 812 (BC L19): Menuet 1 - Menuet 2 - Menuet 1
24. French Suite, for keyboard No. 1 in D minor, BWV 812 (BC L19): Gigue
25. Sur Incises, for 3 pianos, 3 harps, 2 vibes & marimba
David Fray Plays Bach & Boulez Reviews:
A Matter of Taste After All 
2008-12-08 - Roll over, Glenn Gould! Make room, Lang Lang! The young David Fray may soon be crowding you among those devotees of 'personality' ahead of thoughtful insight into the composer's musical intentions.
David Fray plays the Bach Partitas in tiny bits, treating each movement as a disconnected entity and each phrase - nay, each embellishment of each phrase - as a separate finger-trick, as sporadic as a kitten throwing fits on a shag carpet. He rushes and overplays the 'little notes,' inserts melodramatic pauses and rubatos where such punctuation is the last thing needed, ignores the larger dance-derived structures, and seems to regard counterpoint as Bach's chief impediment to greatness.
There's nothing I like about this performance of Bach, though Fray's fragmented vision and touch suit Boulez better. Fray's new release of the Bach "Piano Concertos" -- though Bach never wrote any such thing -- promises to be even more quirky and narcissistic. German amazon has a video preview of Fray in rehearsal on the "Piano" concertos; it reveals a character not immediately recognizable from the glamor shot on this album cover.
very illuminating, perhaps too much 
2008-04-21 - cant argue with the performance herein,at least what the fingers do, the mind? is different! it is flawless technicaly, the D Major Partita, and the 'French Suites' are favorites, pairing this illuminating content with Boulez is a bit interesting,and off-center simultaneously; in that we listen to both,and are thereby influenced by both, the durational frames exceed, traverse each other, overlap into each other, this is a post-modern appraisal of the listening experience,parametrical,or linear?, you decide? yet both aesthetics are if not literally worlds apart, then conceptually, I see no comparison on any level, unless you'd like to argue that these Boulez pieces are in fact quite inconsequential, the 12 'Notations' have made the rounds of many pianists, who find their value performable, yet the Brendels and Schiffs, Axes,and Luganskys have little time for Boulez's piano,these pieces where there in the young budding moments of modernity personifying the young excited activist Boulez, indebted in some ways to Messiaen,but also Webern looking at new "times" new "spaces" as Bachelard has told us, a new 'poetics' of "space""places", environs,"habitations" of time every pianist should know; yet Pierre had his these pathways and paradigms to explore, he had his "hieratique", the deep penumbral mysteries of occupied Paris,spatial and contracted, impacted; concentrated moments, and expansive ones, free in space in time, again much like Webern had taught us; Boulez however represented the violence endured, "tres vif" with the raw glissandi and cluster thumps, incredibly strident and mandatory in gesture, these discreet, well-proportioned moments we would hardly ever see again, despite Boulez's ways of traversing different "times", where his creative compositional work doesn't necessarily function in linear time,the 'trace' of content Derrida might of said; but Boulez can look/gaze backwards to find, to locate and develop new meanings and gestures. He did quite profoundly with the orchestration of these 'Notations',making nice studies for working orchestras to learn modernity,something they still find arduous,lumbering their way through the repertoire if forced;Boulez did not orchestrate all of them; well five or six of them anyways. Fray's playing is sometimes too clean, and impeccable,do you want that? to an extent, but you also want the pianist to convey that he is questionaing what in fact he is playing; perhaps here Fray within the Michelangeli, Pollini ways philosophies of the piano solo; (the image of Glenn Gould is also wrong, for Gould really didn't like Boulez, he saw him as a competitor intellectually, and left little for Gould to speak about at least for the issues surrounding modernity, Gould had almost nothing to say that sparkled of originality anyways for modern music),
the 'Incises'played here is the older shorter version, there is a 2001 Version twice as long, more developed, but questionable if needed.The materials seem forced and to an extent unneccesary; I think the piece is too short however in this recording, a mere 3.33 length, it is like a one-movement etude or prelude, far too short to be worth anything.And again Boulez projected this quite interesting piano solo into a larger ensemble situation,"Sur Incises" 3 pianos, 3 harps and percussion, you can see it on youtube, or buy the DVD.
David fray
2007-12-07 - A remarkable performance and a veritable tour de force. Fray's interpretation of Bach is flawless and true to the mark. Pairing of Boulez with Bach is an inspired idea.
