Gabriel Byrne Movie:

Editorial Review:
While it offers nothing new for horror buffs, Ghost Ship relocates its haunted house clichés to an eerily effective setting. The Italian luxury liner Antonia Graza, its fate a mystery for 40 years, has suddenly reappeared in the chilly Bering Sea. Lured by a seemingly harmless proposition, Gabriel Byrne and Julianna Margulies lead a salvage crew (including Ron Eldard, Margulies's offscreen partner and fellow ER alumnus) to claim the wreck. But a grisly prologue--in which we witness the horrific fate of the ship's crew and passengers--makes it clear that bad things are going to happen. And they do... with the predictability of tomorrow's sunrise. The supporting cast is routinely dispatched, but their fates are determined amid outstanding art direction, slick cinematography, and judicious digital trickery, all primed to maximize the doom-laden atmosphere. Director Steve Beck (who remade 13 Ghosts a year earlier) won't win any awards for ingenuity, but Ghost Ship offers a few good chills for a dark and stormy night. --Jeff Shannon

Cool sets, gory make-up, and frantic energy are given high priority in this glossy remake of William Castle's 1960 haunted-house chiller. The original boasted its "Illusion-O" ghost-viewing gimmick, so this remake's producers--as they did with 1999's The House on Haunted Hill--up the ante on Castle's showmanship by spilling ample amounts of blood, guts, and ghoulish glory. The plot's essentially the same: An impoverished family inherits a luxurious haunted mansion, only this time it's an elaborate, maze-like mechanism of glass, gears, and Latin incantations--"designed by the devil and powered by the dead"--with a cellar full of tormented, undead souls. As the family (including Tony Shalhoub and American Pie's Shannon Elizabeth) enlists the aid of a psychic (Scream alumnus Matthew Lillard) and a ghostbusting paranormal (Embeth Davidtz), this updated 13 Ghosts grows loud and ludicrous, trading shocks for yuks and nuance for nonsense. It's fun, to a point, after which it's just exhausting. --Jeff Shannon