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List Price: $50.00 | | Publisher: Rizzoli
Salesrank: 567845
Released: August 30, 2005 |
| Our Price: $24.83 |
| Used Price: $12.50 |
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| Media: Hardcover |
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Editorial Review:
Famously elusive, Greta Garbo only had her picture taken when a contract required it. She shunned publicity, kept her private life a secret, and rejected the spotlight. Though ambivalent about fame and her public image, Garbo saved all of her favorite portraits, carefully archiving original prints by Clarence Sinclair Bull, Arnold Genthe, Ruth Harriet Louise, Edward Steichen, and Cecil Beaton, among others.
Published here for the first time are these portraits–impeccably reproduced in tritone, one more beautiful than the next. In addition, the book features family pictures, candid photographs, and letters previously viewed only by her closest friends and relatives.
Scott Reisfield provides an intimate portrait of his great aunt, spanning well beyond her career in the public eye–from the earliest days in Sweden when she would sneak through the back door of the theater to see actors rehearse, to her later years in New York when she traveled exclusively through back entrances, side doors, and secret elevators.
Co-author Robert Dance’s essay traces the evolution of the image of Garbo–from the ingénue of her first publicity shots to the icon that she became–while an illustrated film production history documents all the still photography and portraiture of her entire career.
Long treasured by her immediate family alone, this collection of photographs, and the essays that accompany them, form a spectacular tribute to Garbo, the woman and the myth, on the eve of her centennial.
Garbo: Portraits from Her Private Collection Reviews:
not all that great 
2007-11-14 - Bottom line: I was disappointed.
I am a huge Garbo fan and looked forward to owning this book as soon as the public announcements came out - over 4000 photographs that Garbo personally kept. What pictures did she think enough to keep for herself?
One publicity blurb touting the book was accompanied by a candid photo of Garbo on the set of 'Two-Faced Woman' peering into a hand mirror while patting her hair into place - if that was an example of what the book had to offer, I DEFINITELY wanted it. That photo is not in the book.
There are over 200 photographs, and all of them except two I have seen before and are in print in other Garbo books I own. All of the photos have been 'antiqued' in burnished duo-tone, that I personally did not care for - I would have preferred the sharp black and white contrast of her MGM films.
Because all but two of the photos are unknown to me (and most likely you) and because they were printed in duo-tone I did not give the book five stars - only because it was Garbo did it get three. As a fan I am glad I own the book; as a general photography book of a classic Hollywood star, I own superior books, with superior photos of Garbo.
Excellent gift for any Garbo fan!!!! 
2007-01-19 - I gave this book as a gift to a good friend. She enjoyed the book's pictures and information very much. The pictures are from one of Garbo's relatives, so these pics are not common. I was looking for a good informative piece with accurate Garbo memories, and I found them in this book. I would suggest this book if you're looking for something for a Garbo fan.
Photos nice, personal insights disappointing.
2007-01-03 - As a Garbo fan or really a Ms. G. fan. As she would say there is all the difference. With the thousands of pictures available this selection was o.k., not great. Good quality. Seems they could have been more creative, personal. Got the impression of a clever quick buck. The so called writing? Disappointing. Fluff, lacking detail, personal depth. Makes an attractive decorative addition to book collection.
Anatomy of Illusion 
2006-05-11 - Garbo - Portraits from her Private Collection
Anatomy is the operative theme in Garbo's story. It has been said she had the ideal facial structure. To me, the most important thing to know about her is her will to excel. And her will to resist being dominated by the male chauvinist pigs who ran the studios of her era. Her story, then, is the anatomy of a woman who left her mark on a generation. Show business chews up those who aren't strong, then spits them out after sucking out their lifeblood. Women get terrible roles in films. Stereotypes. Vamps. Dumb. Home wreckers. Greta Garbo had, within the first few years of starting her career in America, effectively taken control of her films, getting the leading men she wanted, the cinematographers, directors, still photographers, costume designers.
Her films grossed two to three times as much revenue as the average film of her day. She represented about fifteen percent of MGM's revenue at one point. She was unique. She projected a sultry sexuality, an hauteur, a weltschmerz, an intelligence, an ability to resist love - then give in to all its pain. She represented everything men thought they wanted in a women, and represented for women everything they wished they were.
Some of the early still photos from the late 1920's are striking in their revelation of how captivating a woman's face can be. And for years after her film career effectively ended in 1941, the public was occasionally treated to photos which revealed how gracefully she aged from 1950 onward to her death in 1990 at age eighty-five in New York. She is buried in Stockholm, her home. A credit to two nations, she helped British intelligence during world war two by identifying NAZI sympathizers in Sweden.
Her grand-nephew knew her as Kata. The world knew her as Mata Hari, or Queen Christina. It was said she had no enemies in Hollywood. A bold statement about that venomous town. She was professional, dependable. Mayer, the head of MGM, said her word was better than any contract. The last forty years of her life she llived in the anonymity of New York, respected and liked by neighbors, shopkeepers, and her circle of friends.
She was frugal. She invested her money wisely. A good idea for a woman who, around 1935, had the highest salary of anyone in America. She lived her retirement years in comfort. She traveled, hobnobbed with Aristotle Onassis, Jackie Kennedy, John F. Kennedy - who gave her a piece of scrimshaw from his collection as a spontaneous act of appreciation of her. Within ten days, he was dead in Dallas. It was November, 1963, don't you know.
Frankly, most of the photos in the book don't do her justice. But then, she was a living woman. Only cinema could begin to show to advantage the characters she played. Only those who knew her personally could know what a fine, principled, truly lovely individual she was - that's true beauty. That's the real anatomy of a successful life. To be an inspiration to those who love you. Rest in peace, Kata.
Garbo : Portraits from her Private Collections
2005-10-12 - What a beautiful book this is, when I realised that they were releasing yet another 2 coffeee table books on Greta Garbo (GG.), I was a little apprehensive about buying them as I already own most of the published books on her and most have been rather overall a let down, full of the same quotes and background stuff, I thought that her life story before, during, and after her acting career was over had been fully explored. But I ordered them anyway, and I have to say this is a keeper.Its not too heavy on the bio side but has been published by the Reisfields ( her family) so it is the nearest to the real GG were ever going to find. And the rest of the book is simply STUNNING is full off quality photos of GG throughout her life, nearly all never released before, and some are quite breathtaking, I have been collecting GG stuff for years and have to say that this is the best book I have ever seen on her.BUY THIS BOOK YOU WONT BE DISAPPOINTED, its massive and very heavy ( God, I love super-saver as would have cost a fortune for this to be delivered from U.S.)and is now the gem of my collection.I am away to buy a spare as, no doubt this will be out of print soon, and will have to remorgage to buy it again, trust me its that good.
