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List Price: $24.99 | | Publisher: Grand Central Publishing
Salesrank: 33892
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| Our Price: $13.02 |
| Used Price: $14.40 |
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| Media: Hardcover |
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Editorial Review:
From listening to his grandmother recite epic poems from memory to curling up in bed while his father read funny verses, award-winning actor John Lithgow grew up with poetry. Ever since, John has been an enthusiastic seeker of poetic experience, whether reading, reciting, or listening to great poems.
The wide variety of carefully selected poems in this book provides the perfect introduction to appeal to readers new to poetry, and for poetry lovers to experience beloved verses in a fresh, vivid way. William Blake, Emily Dickinson, Edgar Allan Poe, and Dylan Thomas are just a few names among Lithgow's comprehensive list of poetry masters. His essential criterion is that "each poem's light shines more brightly when read aloud." This unique package provides a multimedia poetry experience with a bonus MP3 CD of revelatory poetry readings by John and the familiar voices of such notable performers as Eileen Atkins, Kathy Bates, Glenn Close, Billy Connolly, Jodie Foster, Morgan Freeman, Helen Mirren, Lynn Redgrave, Susan Sarandon, Gary Sinise, and Sam Waterston.
Every reader will enjoy reciting or listening to these poems with the entire family, appreciating how each one comes to life through the spoken word in this superlative poetry collection.
The Poets' Corner: The One-and-Only Poetry Book for the Whole Family Reviews:
Review of Poet's Corner---from an English Teacher 
2008-05-05 - I loved this product. As an English teacher in DCPS I have found my students loved being read to. Sometimes they become a little sick of me reading out loud, so having the CD accompany these fantastic poems worked out well in providing variety.
Poetry 101
2008-04-05 - This is a wonderful book for the beginner or anyone wanting to awaken the lapsed poetry lover within. I haven't read poetry since I was in college (many years ago) and found this book an easy re-entry into the wonderful world of poetry. Everyone will have their favorite poems, but I think the ones chosen for this book are diverse and reflect a treasure of past and contemporary work. I have listened to the CD over and over again as it opens up the other dimension of poetry which has helped me fully appreciate many of the poems. John Lithgow is a wonderful host, and beckons us all to enjoy one of life's truly meaningful and mysterious joys. The brief information about each poet proceeding their poem is very helpful and there are highlighted bits of general information including further reading, links to websites etc. Warning--reading poetry can be addictive...
A poet finally finds an anthology of the classics he undrestands.
2008-02-20 - The most important factor in this anthology is that Lithgow is not a poet! How great is that! No name dropping, no friend of a friend, no academic postulations on the preponderances of poetry's perplexing postulations! He just loves poetry. And that frees him to choose what he likes.
The second important factor is that he provides us with audio. Poetry is an audio art as well as visual one. And it stinks to always be missing out on 1/2 of the art.
As a student a teacher of poetry I was schooled in contemporaries like Collins, Howe, Harjo, Bukowski so I always had an aversion to the masters being a lot of it was now cliche and with that annoying abab rhyme scheme. But Lithgow and company make it come alive for me. Hearing Auden read by Foster blew the doors on my poetic hinges. I think this anthology is important for anyone who loves the arts. It is not condescending or overwrought with analysis. A little history of the poet, a little nostalgia about why he like the poem, and then BAM! the poem PLUS he give you more poems by the same author after his initial pick just for exposure so you get 50 poems on the CD plus more in the book. This is the kind of book you buy everyone you know when you can't think of any really worthwhile and meaningful to give them.
It makes me want to do my own anthology poems I love. I my own quarrel is that I doubt there will be a sequel.
An enchanting collection of poetry compiled by a true poetry lover 
2008-01-02 - The Poet's Corner, compiled by John Lithgow presents an expansive collection of poetry, and is accompanied by a bonus MP3 CD featuring readings of poetry by Mr Lithgow and his friends [ Glenn Close, Morgan Freeman, Jodie Foster, Sam Waterston etc].
Though not the most comprehensive collection of poetry, it is a worthy compilation of well-known poetry written in the English language and is sure to find fans, both existing lovers of poetry and those just coming to appreciate the genre.
Each poem that is selected is accompanied by a short bio of the poet and Mr Lithgow's own explanation as to how the piece interests him or its emotional pull for him. The poems are presented by the poet [alphabetically by their last names] beginning with Matthew Arnold, and ending with William Butler Yeats. There are 50 poets in all, and the poems cover different eras, varied subjects, yet are all beguiling and unique in their ability to draw us in and affect us in different ways. Reading this compilation impacted me emotionally, engulfing me in feelings of joy, sadness and even silent contemplation. The bonus CD is another plus and together this is a wonderful and enjoyable compilation of poetry.
50 poets, 50 mini collections, 50 bios
2007-12-26 - Lithgow was born in Rochester, New York. His mother was a retired actress, and his father was a theatrical producer and director who ran the McCarter Theatre in Princeton, New Jersey. Lithgow won a scholarship to Harvard University, where he graduated magna cum laude in 1967, and won a Fulbright Scholarship to study at the London Academy of Music and Dramatic Art.
Lithgow writes that poetry was an important part of his life: "My grandmother was part of the last generation who memorized poetry for pleasure."
Lithgow's love of poetry shines through the fifty short introductions to 50 classical poets on offer here.
Here's a sampling of the bios:
"Among the Victorian poets of England, Matthew Arnold was not as famous as Tennyson and Robert Browning. Unlike them, he did not have the luxury of being able to devote himself full-time to writing. Arnold, the son of a clergyman and private-school head- master, worked for a living his entire life. A ten-year appointment at Oxford University as a poetry professor, combined with his job as a government school inspector, meant he had to squeeze in his poetry on his own time. He wrote most of his poems before he was forty years old, when family life and work were less demanding. After that, he concentrated on writing essays about culture, religion, and literature, and his prose was better received than his poetry, at least during his lifetime. Some say it was his literary criticism that elevated criticism to an art form in its own right. Here is Arnold on poetry: "I think it will be found that grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject."
To Arnold, no matter how beautiful its language or imagery, if a poem lacked an important subject, he found it unworthy of his attention. Serious and austere himself, he chose lofty subjects for his own poems-faith or the absence of faith, how to live in a meaningful way, politics, the individual in relation to society. He believed his work would endure because it reflected the period's big themes. "For the creation of a masterwork of literature two powers must concur," wrote Arnold, "the power of the man and the power of the moment, and the man is not enough without the moment." Arnold's moment in history happened to be one of great change and flux. You could say all his poetry was about coming to terms with the Victorian age of industrialism and the weakening of religion.
***
Lithgow chooses poems he personally enjoyes the most;
for Arnold he chose "Dover Beach":
The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; -- on the French coast, the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
You can hear the actor's cadences as you read these lines, and Lithgow adds: "There's just no way around it, this is a downbeat poem. I hear in it a desperate, yearning gloom, a sense of despair about the Victorian world and a personal crisis of faith. But despite the poet's melancholy, the poem is quite beautiful in its specificity. Arnold reveals his feelings very directly and openly."
Lithgow is very aware of the importance of sound, and for folks like me with a tin ear, the accompanying CD is a special delight: great poetry read by great actors like Jodie Foster and Helen Mirren.
Altogether, a delight to savor and perhaps to even encourage the reader to memorize a few lines.
Robert C. Ross 2007 2008
