Laurence Fishburne Movie:

		List Price: $99.99		Label: Image Entertainment Salesrank: 91235 Released: October 3, 2000
		Our Price: $699.99
		Used Price: $39.99
		MPAA Rating: Unrated Media: DVD

Editorial Review:
For the first time ever, America's film archives are joining forces to release their most exciting, unseen treasures on DVD. The 50 films in this four disc set have been meticulously preserved by eighteen of the nation's premiere archives, including the Library of Congress, the Smithsonian, the Museum of Modern Art, George Eastman House, UCLA, and the Academy of Motion Picture Arts and Sciences. Featuring numerous supplements and produced by the nonprofit National Film Preservation Foundation, "Treasures from American Film Archives" shows the amazing variety of films made from coast to coast over the last 100 years. With narration by Laurence Fishburne, this set is an absolute must for film collectors! Films include: Groucho Marx's home movies (1933, 2 min.), D.W. Griffith's "The Lonedale Operator" (1911, 17 min.), the earliest film version of "Snow White" (1916, 63 min.), "The Fall of the House of Usher" (1928, 13 min.), "Negro Leagues Baseball" (1946, 8 min.), "The Autobiography of a Jeep" (1943, 10 min.), Joseph Cornell's found footage film "Rose Hobart" (1936, 19 min.), "Returning on the Zeppelin Hindenburg" (1936, 7 min.), the early 2-color Technicolor feature "The Toll of the Sea" (1922, 54 min.), the William S. Hart western "Hell's Hinges" (1916, 64 min.), the first commercially-shown U.S. film "Blacksmithing Scene" (1893, 1 min.), plus silent features, documentaries and newsreels, avant-garde shorts, early animation and special effects films, home movies, and much more.

Description of Treasures from American Film Archives:
It may look like a grab bag at first--50 preserved films from 18 American archives spanning the years 1893 to 1985 and encompassing everything from documentaries and home movies to experimental films and animation--but this unprecedented collection has a clear focus. It celebrates the scope and wealth of cinema history's "orphans," the films abandoned by the marketplace and left to nonprofit organizations to rescue. This is the proof of their efforts, and only a tiny, tantalizing example of what has been preserved. The "stars" of the set are the features: the startlingly savage 1916 William S. Hart Western Hell's Hinges and the luscious 1922 two-strip Technicolor feature The Toll of the Sea (the first color feature ever made) with Anna May Wong. Also included are The Chechahcos from 1924 (the first film ever shot in Alaska) and the extravagant (if stagy) original 1916 Snow White. John Huston's stunning documentary The Battle of San Pietro and Joseph Cornell's obscure but entrancing 1936 surrealist classic Rose Hobart are further highlights.

But there are wonders to be found throughout the collection, from a trip through Interior New York Subway circa 1905, to the gorgeous avant-garde 1928 The Fall of the House of Usher, to the only film of Orson Welles's legendary 1936 Haiti-set stage production of Macbeth in the 1937 documentary We Work Again. The breadth of work is astounding and all of it is fascinating, whether it's a revealing glimpse of a forgotten social landscape in a home movie; the preservation of theater, dance, and concert recitals in one-of-a-kind records; or an ancient work of pioneering cinema.

The four-disc set is handsomely designed, with easy-to-navigate menus featuring extensive notes and short documentaries about each archive (narrated by Laurence Fishburne), and a detailed, informative 150-page booklet accompanies the set. It's a one-of-a-kind project and a true film treasure. --Sean Axmaker

Treasures from American Film Archives Reviews:
these films are not treasures
2008-11-16 - The title misrepresents the contents because the material selected for the most part are not treasures. This a collection where the criteria for selection seems to have been half based on politics and half based on novelty. On the first criteria, you can almost see the checklist of boxes those who assembled the film worked with. Each catagory was expected one (and only one) film regardless of quality or meaning. In the second catagory, there is no end of third-rate amature work. We get experiments, we get lots of home movies, we get a quite frankly offensive paternalistic Orsen Wells theater piece from the 1930s, we get wartime junk and we get new deal junk.

Its not to say that these films are not of some interest. If took half the films and called it a cross-section of ethnic america as shown historically in film, it would be valid. If you took another half and called it the first home movies, that would work too.

But these are NOT treasures of film. I've given it one star not so much for the contents, but for the process that assembled the collection and marketed it as treasures.



A good collection, but the sequel boxed set was better
2007-05-18 - This original set of films from the American Film Archives is interesting to students of cinema history and history in general, but it is not that entertaining in the ordinary sense. The first set I bought, "More Treasures from the American Film Archives" seemed to do a better job of mixing pure entertainment with films that had a social or historical significance than this one. That set included one or two silent feature films including an early Ernst Lubitsch, a Rin Tin Tin silent, and a very early gangster film, on each DVD along with the short subjects. That being said, this is a unique and interesting set of films that I found very worthwhile. However, if you are uncertain, start with the "More Treasures from the American Film Archives" set first. If you don't like that set I am almost sure you will not like this one. Nobody else bothered to list all of the films on this set and their descriptions, so I do that next:

ACADEMY FILM ARCHIVE, ACADEMY OF MOTION PICTURES ARTS AND SCIENCES:
1. Luis Martinetti, Contortionist (1894, 1 minute), kinetoscope of the Italian acrobat made by the Edison Co.
2. Caicedo, King of the Slack Wire (1894, 1 minute), the first film shot outdoors at the Edison Studios.
3. The Original Movie (1922, 8 minutes), silhouette animation satire on commercial filmmaking, by puppeteer Tony Sarg.
4. League Baseball (1946, 8 minutes), footage featuring Reece "Goose" Tatum, the Indianapolis Clowns, and the Kansas City Monarchs.

ALASKA FILM ARCHIVES, UNIVERSITY OF ALASKA AT FAIRBANKS
5. The Chechahcos (1924, 86 minutes), first feature shot entirely on location in Alaska. This is a melodrama set during the Alaska gold rush with some great scenery included.

ANTHOLOGY FILM ARCHIVES
6. Rose Hobart (1936, 19 minutes), artist Joseph Cornell's celebrated found-footage film that mainly takes footage from Hobart's film "East of Borneo", combines it with some other scenes, and winds up as a surreal short.
7. Composition 1 (Themis) (1940, 4 minutes), Dwinell Grant's stop-motion abstraction.
8. George Dumpson's Place (1965, 8 minutes), Ed Emshwiller's portrait of the scavenger artist and his home.

GEORGE EASTMAN HOUSE
9. The Thieving Hand (1908, 5 minutes), special-effects comedy.
10. The Confederate Ironclad (1912, 16 minutes), Civil War adventure with the heroine saving the day.
11. The Land Beyond the Sunset (1912, 14 minutes), social problem drama about a tattered newspaper boy who yearns for a better life.
12. Snow White (1916, 63 minutes), live-action feature of the Brothers Grimm tale starring Marguerite Clark.
13. The Fall of the House of Usher (1928, 13 minutes), avant-garde landmark created by James Sibley Watson, Jr., and Melville Webber from Poe's short story.

JAPANESE AMERICAN NATIONAL MUSEUM
14. From Japanese American Communities (1927-32, 7 minutes), home movies shot by Rev. Sensho Sasaki in Stockton, California, and Tacoma, Washington.

LIBRARY OF CONGRESS
15. Demolishing and Building Up Star Theatre (1901, 1 minute), the time-lapse demolition of a New York building, preserved from a paper print.
16. Move On (1903, 1 minute), Lower East Side street scene, preserved from a paper print.
17. Dog Factory (1904, 4 minutes), trick film about fickle pet owners, preserved from a paper print.
18. Princess Nicotine; or, The Smoke Fairy (1909, 5 minutes), special-effects fantasy of a tormented smoker, by the Vitagraph Company.
19. White Fawn's Devotion (1910, 11 minutes), probably directed by James Young Deer and the earliest surviving film by a Native American.

MINNESOTA HISTORICAL SOCIETY
20. Cologne: From the Diary of Ray and Esther (1939, 14 minutes), small town portrait by amateur filmmakers, Dr. and Mrs. Dowidat.

MUSEUM OF MODERN ART
21. Blacksmithing Scene (1893, 1 minute), first U.S. film shown publicly.
22. The Shoe Clerk (1903, 1 minute), comic sketch with celebrated early editing.
23. Interior New York Subway, 14th St. to 42nd St. (1905, 5 minutes), filmed by Biograph's Billy Bitzer shortly after the subway's opening.
24. Hell's Hinges (1916, 64 minutes), William S. Hart Western about a town that earns its own destruction.
25. The Lonedale Operator (1911, 17 minutes), D.W. Griffith's rescue drama, starring Blanche Sweet.
26. Three American Beauties (1906, 1 minute), with rare stencil color.

NATIONAL ARCHIVES AND RECORDS ADMINISTRATION
27. We Work Again (1937, 15 minutes), WPA documentary on African American re-employment, including excerpt from Orson Welles' stage play of "Voodoo Macbeth".
28. The Autobiography of a Jeep (1943, 10 minutes), the story of the soldier's all-purpose vehicle, as told by the jeep itself.
29. Private Snafu: Spies (1943, 4 minutes), wartime cartoon for U.S. servicemen, directed by Chuck Jones and written by Dr. Seuss.
30. The Battle of San Pietro (1945, 33 minutes), celebrated combat documentary directed by John Huston.
31. The Wall (1962, 10 minutes), USIA film on the Berlin Wall made for international audiences.

NATIONAL AIR AND SPACE MUSEUM
32. From The Keystone "Patrician" (1928, 6 minutes), promotional film for new passenger plane.
33. From The Zeppelin Hindenburg (1936, 7 minutes), movies by a vacationing American family made on board 1 year before its destruction.

NATIONAL CENTER FOR JEWISH FILM
34. From Tevye (1939, 17 minutes), American Yiddish-language film, directed by Maurice Schwartz, adapted from Sholem Aleichem's stories.

NATIONAL MUSEUM OF AMERICAN HISTORY
35. From Accuracy First (ca. 1928, 5 minutes), Western Union training film for women telegraph operators.
36. From Groucho Marx's Home Movies (ca. 1933, 2 minutes).

NATIONAL MUSEUM OF NATURAL HISTORY
37. From Beautiful Japan (1918, 15 minutes), early travel-lecture feature by Benjamin Brodky.

NEW YORK PUBLIC LIBRARY
38. From La Valse (1951, 6 minutes), pas de deax from George Balanchine's 1951 ballet, featuring Tanaquil Le Clercq and Nicholas Magallanes and filmed at the Jacob's Pillow Dance Festival.
39. Battery Film (1985, 9 minutes), experimental documentary of Manhattan, by animator Richard Protovin and photographer Franklin Backus.

NORTHEAST HISTORIC FILM
40. From Rural Life in Maine (ca. 1930, 12 minutes), footage filmed by Elizabeth Wright near her farm of Windy Ledge, in southwestern Maine.
41. From Early Amateur Sound Film (1936-37, 4 minutes), scenes of family life captured by sound-film hobbyist Archie Stewart.

PACIFIC FILM ARCHIVE
42. Running Around San Francisco for an Education (ca. 1938, 2 minutes), early political ad, shown in San Francisco theaters, that helped win approval of local school bonds.
43. OffOn (1968, 9 minutes), Scott Bartlett's avant-garde film, the first to fully merge film and video.

UCLA FILM AND TELEVISION ARCHIVE
44. Her Crowning Glory (1911, 14 minutes), household comedy, with comic team John Bunny and Flora Finch, about an eight-year old who gets her way.
45. I'm Insured (1916, 3 minutes), cartoon by Harry Palmer.
46. The Toll of the Sea (1922, 54 minutes), Anna May Wong in an early two-strip Technicolor melodrama, written by Frances Marion.
47. The News Parade of 1934 (10 minutes), Hearst Metrotone newsreel summary of the year.
48. From Marian Anderson: The Lincoln Memorial Concert (1939, 8 minutes), excerpt from a concert film, reconstructed from newsreels, outtakes, and radio broadcast materials.

WEST VIRGINIA STATE ARCHIVES
49. From West Virginia, the State Beautiful (1929, 8 minutes), amateur travelogue along Route 60.
50. From One-Room Schoolhouses (ca. 1935, 1 min), amateur footage from rural Barbour County.

A Landmark Box Set
2005-09-11 - The features TOLL OF THE SEA with Anna May Wong and Kenneth Harlan and SNOW WHITE starring Marguerite Clark are worth the price of this set alone!! These two classics are worth repeated viewings. This set is loaded with short films from the era notably the avant-garde FALL OF THE HOUSE OF USHER which looks amazingly like what someone might make take today if they wanted to make an avant-garde silent film. A set you will go back to time and time again, definately a must for anyone with a serious interest in early film.

Good, but "More" is better
2005-07-25 - This collection of 50 preserved films spanning 75 years of film history aptly shows the value of film preservation, and enables fans of film to support preservation by purchasing this collection. There are four classes of film in this box: early commercial films by famous or obscure studios and film makers; amateur films, including sentimental glimpses of a region of the US (rural Minnesota, West Virginia, Maine), news reels or other documentaries, and avant-garde or experimental films. There's something for everyone who likes old movies, but it's only the most committed fanatic of the film medium who will find everything here of equal interest.

The most universally appealing in this box are films with stories that combine the potential to appeal to the modern viewer with a glimpse into the imagination of film pioneers who were defining conventions in technique that are standard today. In this category we include The Lonedale Operator, a Biograph gem from 1911 directed by D.W. Griffith, advanced for its time in editing, story-telling and character development; The Land Beyond the Sunset, an Edison one-reeler from 1912 that shows how far film directors had mastered the ability to squeeze the right amount of story into seven minutes; and Hell's Hinges, an entertaining 1916 Western feature starring W. S Hart in a role that presages the work of Gary Cooper in High Noon and Clint Eastwood in The Unforgiven. There are also historically interesting films like a newsreel "year in review" of 1934 (a tough year!) and a one-reeler called The Confederate Ironclad, which was, we learn. one of many movies made during the 50 year anniversary of the Civil War. Finally, there's The Toll of the Sea an early technicolor vehicle with a very powerful performance by 17 year old Anna May Wong, albeit in a rather crude reworking of the Madame Butterfly story.

Pretty much the remainder of this collection is of historical or cultural interest. There's a version of Snow White from 1916 that was alleged to have inspired Walt Disney as a youth; a remarkable, but short, home movie from 1933 of Groucho Marx and his family at home, a brief excerpt from Marian Anderson's historic 1939 Easter Sunday concert on the mall in DC, an amateur movie of the Negro Baseball League in action, and Joseph Cornell's 1936 surrealistic "re-mixing" of a B jungle movie into a faintly erotic fixation on its female star "Rose Hobart", a movie Salvador Dali allegedly flipped over.

I personally liked volume two of this collection ("More treasures") better than this one -- it focused more on important, forgotten commercial films and less on the amateur or the avant garde. But the highlights of volume one make it, and its companion, treasures to own indeed.

Available again May 2005?!?!
2005-02-02 - YES! According to their website. Go to:

http://www.filmpreservation.org/dvd/treasures.html

For me, right now this is the holy grail of OOP DVD box-sets. They never turn up used on this site, and the few auctions that go up on Ebay get up to ridiculous amounts of money (last one went for upwards of $200). I hope to God that this is true. I would love it if Amazon could confirm it and post the date on this page. Finally, it's back (and at a lower price, too!) and I for one am very excited. Let's hope that it goes through OK. Every other reviewer has already spoken for the content you get in this priceless set, all I can say is HALLELUJAH...