Natalie Portman Movie:

The Professional/The Replacement Killers



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Natalie Portman Movie:
The Professional/The Replacement Killers



Movie
The Professional/The Replacement Killers
The Professional/The Replacement Killers
List Price: $23.95Label: Sony Pictures

Salesrank: 116209

Released: October 15, 2002
Our Price: $14.21
Used Price: $28.89
MPAA Rating: R (Restricted)
Media: DVD

Features:

  • Closed-captioned
  • Color
  • DVD
  • NTSC
  • Starring:

  • Yun-Fat Chow
  • Mira Sorvino
  • Jean Reno
  • Gary Oldman
  • Natalie Portman
  • Editorial Review:
    Two tales of professional killers with personal honor codes.
    Genre: Feature Film-Action/Adventure
    Rating: R
    Release Date: 7-DEC-2004
    Media Type: DVD

    Description of The Professional/The Replacement Killers:
    The Professional
    Luc Besson (The Fifth Element) made his American directorial debut with this stylized thriller about a French hit man (Jean Reno) who takes in an American girl (Natalie Portman) being pursued by a corrupt killer cop (Gary Oldman). Oldman is a little more unhinged than he should be, but there is something genuinely irresistible about the story line and the relationship between Reno and Portman. Rather than cave in to the cookie-cutter look and feel of American action pictures, Besson brings a bit of his glossy style from French hits La Femme Nikita and Subway to the production, and the results are refreshing even if the bullets and explosions are awfully familiar. --Tom Keogh

    The Replacement Killers
    The director of Chow Yun-fat's first Hollywood outing, music-video veteran Antoine Fuqua, seems to be trying to squeeze the charismatic Asian superstar into a conventional American action-hero mold, and the results are dispiriting. Fuqua never lets this high-spirited actor smile, fetishizing him as a gunslinging clotheshorse in a series of garish, scenery-smashing battle scenes. As a paid assassin whose former employers turn against him, Chow enlists the help of an illegal documents specialist played, with surprising grit, by Mira Sorvino, and then spends most of the time fending off squads of killers in mirror shades. The movie is art-directed and photographed fit to kill (even the most routine incidents are eye-gougingly colorful) and edited to a hip-hop beat. It's garishly superficial. The frequent gunplay duels may keep action fans riveted, but they'll hate themselves in the morning. --David Chute










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