 | |
List Price: $24.95 | | Label: FIRST RUN FEATURES
Salesrank: 54155
Released: April 22, 2008 |
| Our Price: $13.91 |
| Used Price: $13.96 |
|
MPAA Rating: NR (Not Rated) Media: DVD |
|
| Features:
Color DVD-Video NTSC Widescreen | |
Editorial Review:
{WINNER! BEST DOCUMENTARY- ASHEVILLE FILM FESTIVAL}
{WINNER! BEST UNRELEASED FILM- HIGH TIMES STONY AWARDS}
WETLANDS was one of the hottest music venues in New York City for over 10 years. Until 2001 this former Chinese food warehouse in Tribeca hosted the latest up-and-coming artists in every musical genre. People still rave about the time they first encountered DAVE MATTHEWS BANDS, BLUE TRAVLER, PHISH or PEARL JAM. Others never visited, but have seen the signature Wetlands bus in the Rock and Roll Hall of Fame or have listened to the celebrated live recordings from the club's intimate stage.
But Wetlands was more than a typical rock and roll joint. For many the name evokes a spirit, a community, an ethos. As a self-styled "Eco-Saloon," the place was as devoted to environmental and political issues as it was to partying and great music. This insightful and entertaining new documentary tracks the history of this first-ever activist nightclub, with vintage footage, original recordings and new digital animation.
Wetlands Preserved Reviews:
A Passionate Documentary about the first (and only) socially conscious music club in NYC 
2008-06-15 -
Unlike the previous reviewer, I never had a chance to attend a concert at the Wetlands. And, to be honest, some of the performers who made their name don't fall in to favorite music genres (but others do).
Larry and Laura Bloch had a vision to combine environmental and political issues with the new music finding it's way in the culture in the 1990s. And, from all accounts, they succeeded. They formed a non-profit corporation to run the club and all the profits were funneled back into the club, making it bigger and better. Yes, there was music but there were also social causes to be won.
Like Larry, who basically narrates the film through the interviews with him, Director Dean Budnick wants the world to know how important this club was. (well, it was!), There are lengthy interviews with former club employees as well as members of some of the bands like Dave Matthews. The music in the background was all recorded at the club and there is some brief concert footage. But, there lies the one defect in this film. There's way too little footage included - was it all destroyed? - and so the 90 minute film keeps repeating the same memories of the same interviewees a bit too long. You'll certainly enjoy watching this once - especially if these are the bands you admire - but probably won't return to it again. For this reason I deducted a star from an otherwise well done film about a time and place that now stands empty in lower Manhattan.
Steve Ramm
"Anything Phonographic"
A loving, well-done tribute to a musical hallmark 
2008-05-18 - I was fortunate enough to visit the Wetlands. It had a near and dear place in my heart as the venue was an incubator for the third generation jamband scene. One might think that a city the size of New York would have hosted many such environments, but the Wetlands stood alone. In "Wetlands Preserved: the story of an Activist Rock Club," owners Larry and Laura Bloch passionately discuss the club's environmental activities. A loving narrative is given about the origins of the Wetlands' famous VW bus. Currently, the bus rests in the Rock and Roll Hall of Fame. Back in the day, I was always baffled by what seemed a schizophrenic inclusion of hardcore and hip hop bands. After hearing Larry Bloch's explanation, it all makes sense and makes him even more endearing. It's all here as the film includes pieces on the colorful bathrooms, conflicts with neighbors and the transfer of ownership to Peter Shapiro. One of the least known causalities of September 11, 2001, the club's demise is shown. The multitude of interviews include the thoughts of Bob Weir (Grateful Dead), Rob Baracco (Phil & Friends), Dave Mathews, Eric Wilson (Sublime), Al Schnier & Rob Derhak (moe.), Warren Haynes (Gov't Mule), Jon Gutwillig (Disco Biscuits), Robert Hunter, Jimmy G. (Murphy's Law), Mike Gordon (Phish) and local thinkers, patrons and activists. The vast and eclectic interviews show that this documentary was a labor of love that had been under construction for years. In terms of the soundtrack, all of the music featured in "Wetlands Preserved" was actually recorded at the venue. Musical vignettes are given to Blues Traveler, Sublime, Phish and moe. Surprisingly, the production is excellent. Live video footage is augmented with photographs that are embellished with the hippest digital effects. It is surprising that so many of the venue's photos, videos and flyers still exist. The attention to detail is impeccable as background graphics even feature the uniquely stylized schedules. Long before the Internet, these Village Voice schedules were how heads found out about who was playing at the Wetlands. For anyone who was fortunate enough to experience the Wetlands, this film will bring back a flood of memories. That written, the music and production is strong enough that "Wetlands Preserved" will be a highly entertaining experience for those who've only recently heard of the musical hallmark.