Pierce Brosnan Movie:

		List Price: $19.94		Label: Sony Pictures Salesrank: 24424 Released: September 2, 2008
		Our Price: $3.94
		Used Price: $0.44
		MPAA Rating: PG-13 (Parental Guidance Suggested) Media: DVD

Editorial Review:
A strong blend of suspense, star-crossed romance and wry comedy of manners, Married Life is an unconventional human drama about the irresistible power and utter madness of love. Harry (Chris Cooper) decides he must kill his wife Pat (Patricia Clarkson) because he loves her too much to let her suffer when he leaves her. Harry and his much younger girlfiend Kay (Rachel McAdams) are head over heels in love but his best friend Richard (Pierce Brosnan) wants to win Kay for himself. As Harry implements his awkward plan for murdering his wife, the other characters are occupied with their own deceptions. Like Harry, they are overwhelmed by their passions, but still struggle to avoid hurting others. Married Life is an uncommonly adult film that surprises and confounds expectations. While it plays with mystery and intrigue, its ultimate concern is: What is Married Life? In its sly way, Married Life poses perceptive questions about the seasonal discontents and unforeseen joys of of all long-term relationships.

Description of Married Life:
Far too many period productions look right, but feel wrong. Set in 1949, Married Life doesn't just bring the post-war era to vivid life with cigarettes and cocktails aplenty; it even plays like a product of the time. In that respect, it calls to mind AMC's Mad Men, except Ira Sachs (Forty Shades of Blue) takes a lighter tone towards domestic disharmony. In this well-scrubbed suburban world, middle-class wives, like Pat (Patricia Clarkson), build their lives around their husbands. Pat and Harry (Chris Cooper) seem happy, but Harry confesses to his pal, Richard (narrator Pierce Brosnan), that the spark is gone. He plans to leave Pat for vibrant young war widow Kay (Rachel McAdams in a role that recalls The Notebook). Once Richard, a notorious ladies man, gets a gander at the platinum blonde, he secretly sets out to win her affections, while Harry plots to take Pat out of the picture. Married Life almost simulates one of Alfred Hitchcock’s pessimistic disquisitions on matrimony, yet Harry and Richard seek less hurtful means to achieve their goals. Though women's lib has yet to hit the suburbs, Pat and Kay harbor desires of their own, and the best-laid plans soon go awry. Though Kay could use further development, this ensemble hums along almost as harmoniously as the quartet in Starting Out in the Evening. Along with co-writer Oren Moverman (I'm Not There), Sachs transforms John Bingham’s 1953 novel, Five Roundabouts to Heaven, into an insightful treatise on love, marriage, and fidelity. --Kathleen C. Fennessy

Married Life Reviews:
But What about those endings??
2009-10-10 - "Married Life"is an interesting film, beautifully directed and performed, perhaps a little too larconic at times and with a middle section that lags and sags a bit. Yet it ultimately becomes a different movie at the end, going from a film noir romantic suspense thriller to something a little more akin to something John Irving would have written. I agree it's not a comedy and there are only fleeting moments of ironic humour, but, hey, what about the alternate endings.??!! Clearly the reason the film is so short (at 87 mins)is that there is a whole final chapter running about 7-8 minutes that the director left on the cutting room floor. We get to see three edits of this final chapter on the DVD and it turns it again into quite a different film.No one else here seems to have commented on these endings and I would love to know what people thought, personally I rather liked the melancholic stroll through time feel these gave the film and feel there is an even better film lurking in here somewhere. The theatrical version, pleasing enough as it is, is weighed down with too much of an attempt to make it noirish and comical. This could be the story of a journey through life and its strange and sad ironies.

Quiet look on married life
2009-05-07 - Married life is a mystery, not only in late 40s, time when the events of this movie take place, but rather since beginning of time. Pat and Harry have known each other since they were children. They have been married for a long time. But perhaps because they know each other so well, their marriage is predictable and tejir interaction civilized. Without each other knowing about the other, they both have love affairs outside of the mariage. Pat with a young writer and Harry with a beautiful and lonely war widow. In spite of being in love with their new love interests, both Pat and Harry are hesitant to divorce each other in fear not to hurt the other emotionally. So is it better to simply kill off the other person and spare them the pain of humiliation?

As love triangles go and notions of what excitement married life gives, this is one of the most interesting movies I have seen. The slow pace of the careful storytelling is mesmerizing as we learn about each person's inner battles, desires and motives.

What you see conflicts with what you hear
2009-05-03 - The story itself is negligible and uninteresting. For some period pieces, this is not a problem because the visuals or the character studies are the core of the movie. But here, the visuals were nothing special (other reviewers here disagreed). And the characters were poorly rendered--clearly the fault of the writers, not the actors (who just had nothing to work with).

For example, the dialog _says_ that Richard (Pierce Brosnan) is a womanizer, but what we _see_ is quite different. There are similar disconnects for all the other characters.

Similarly the (trivial) story arc depends entirely on the voice-over--without it, I would have had a complete different interpretation of events. Without the audio, I _never_ would have thought that Harry (Chris Cooper) was in love with Kay (McAdams) nor she with him. Nor would I have suspected that Richard and Harry were more than casual acquaintances.

The sequence where we are waiting to find out whether Harry has murdered his wife is so far beyond over-wrought and over-extended that I became angry at the movie for being so blatant in trying to jerk my emotions around.


Married Life by Brandon M. Moskos
2009-03-16 - This is a movie about married life in the late 40's. It shows a married couples' problem in that time period and how leaving your wife or husband was not an option in that era. Both the husband and wife are not in love anymore and they're both cheating, but they will not ask for a divorce, because they can't bare to see the other person unhappy. This was true that divorce did not happen in this time period, but I thought the story that the husband would rather see his wife dead than divorce her is crazy. The movie was suspenseful, but I thought it was unfunny and not that entertaining. I recommend renting this movie rather than buying, this movie was average.

Time to find a new bedmate...
2009-01-28 - So, truth be told, this cast is very impressive. Chris Cooper is a very commanding presence who has recently proven his star has yet to fade (watch him work the screen ten times over in `Breach'); Pierce Brosnan is a very charming and infectious actor who knows how to deliver a delicate and nuanced performance (watch him act his butt off in `Evelyn'); Rachel McAdams is one of those actresses to watch out for, working to break out of her teen queen title with interesting choices (watch her steal every ounce of limelight with her Oscar snubbed `Mean Girls' performance); and Patricia Clarkson, I mean really, don't get me started on how amazing she is. Watch anything she touches and see a screen presence that is beyond words. Whether she is quietly breaking to pieces (ala `Dogville'), charismatically unraveling (ala `Pieces of April') or weighing in with a delicate bravado (ala `Far From Heaven') she is always a notch above the rest.

So with a cast this impressive this film is bound to be...boring?

I walked into `Married Life' eager to see something amazing and what I got was something I longed to see end. It was dry, meandering and uninteresting. It's sad, because the performances by all four actors were very, very good. In a different movie I'd say that they were all Oscar worthy. The pacing and mood setting was just too unbearable though, taking away every ounce of life these actors breathed into their characters.

So the film tells of a strange love triangle (or should I say square, or is it a hexagon) that forms between friends. Harry is married to Pat, and while Harry loves Pat he is `in love' with Kay who is young and vibrant and makes him feel needed. Harry's best friend is Richard, who upon meeting Kay is instantly smitten. Richard falls in love with Kay and wants her all to himself, which seems possible beings that Harry is determined not to hurt his wife. Richard's ideal plan is soon hampered by the unraveling of Pat's dark secret, not to mention the fact that Harry, in an attempt to spare his wife the pain of divorce, has decided to kill her instead.

Yes, there is a lot going on here, and it all sounds so intriguing; but it's not.

It's the pacing that kills this one and it's because of that monotone delivery that I'll never watch it again. It nearly put me to sleep and it took me two evenings just to get through it, and it wasn't like I started it late in the evening; I simply couldn't watch it any longer.

It was that dull.

I feel bad for the cast and maybe even the screenwriter, who at least attempted to write a tightly woven and interesting marital thriller, but director Ira Sachs (I just noticed that he helped pen this thing too so maybe I don't feel bad for the screenwriter) botches this one up quite a bit. Like I said, the acting is a saving grace (especially from Clarkson and Cooper) but in the end this marriage is not worth saving.

Oh, and so we are clear, the comparisons to `Mad Men' are quite disturbing beings that the television show is far from boring and unbelievably engrossing; something that this film is far from.