Ray Charles Book:

		List Price: $29.95		Publisher: Universe Publishing Salesrank: 119698 Released: February 9, 2002
		Our Price: $13.98
		Used Price: $7.49
		Media: Paperback

Editorial Review:

An Eames Primer Reviews:
Hate to spoil the party but this book is just ok.
2008-04-13 - Before reading this book I would have found it difficult to believe that I would be able to use the word hyperbole and the Eames Office in the same sentence. The work of the Eames Office remains beyond reproach and this book does offer some genuine insight into its multifaceted work but tends to avoid difficult questions and for the most part gives simple answers.

The book glosses over the realities and complexities of the Eamesian approach to design and the creative atmosphere of the Office. However, I think the title itself makes the authors intent clear. As a "primer" this book fits the bill in terms of the information included. My main criticism is that the author should have followed through and been more concise and direct. This book is verbose and practically glows with the repetitive and nearly-universal fond memories of the individuals interviewed. Worst of all, the prose has the faint sent of re-contextualization and hero worship (hard to avoid for a grandson).

Secondary to the above but still significant is the books poor quality of design and production. I found the book extremely difficult to read. The font and point size selected, compounded by the overly-wide text line length, made for uncomfortable reading. To top it off the paper selected displayed a surface glare that made reading the book all but impossible except in the best light conditions. The design renders it more a pretty-object rather than a functional book. On the other hand it looks good on the shelf... if you want to impress your friends.

If it weren't for the fact that this book is really about as good as any other design book, it would fair far worse. If you couldn't tell, I would recommend getting the book as there is not much out there on the subject thats any better.

Eames Primer---A fascinating peek inside the world of masters of mid-century
2008-03-05 - I have had the pleasure of visiting the Eames House and the Eames Family (incldg Eames Demetrios--author and grand-son and Lucia --Charles's only child) on the occasion of the Charles's 100th birthday anniversary. What a delight! Before that wonderful trip, I had the benefit of reading this book which helped me fully understand the history and legacy of this important creative team and the family life that influenced them

It's a must have for any mid century devotee. Get it for your library and be inspired!

Wonderful history
2006-02-21 - This is a great insight into the lives of the Eames'. I think many designers (myself included) think we know something of their lives and importance. This book is a true eye opener into their influence around the world. There is so much to learn not just from their work, but HOW they lived their lives. Very well written. A must read for any designer.

Connected to the Work
2005-06-22 - As you might imagine and the title implies this is a wonderful introduction to the work of the Eames' design office. More importantly it is a warm fun filled story of two wonderful and creative human beings who truly sought to make a difference in the world by living with integrity. I feel they succeeded and I think that anyone who reads this little gem will begin to see the connections that weave all life's little mysteries into a comprehensive story .

Way-it-should-be-ness
2003-05-25 - In 1988, filmmaker Eames Demetrios made the film, 901: After 45 Years of Working, a family record of the closing of the Eames Office shortly after the death of Ray. It was an objective attempt to capture the essence of the studio and design work created by Charles and Ray Eames and their multi-talented staff. Now more than ten years later, Demetrios has again recorded the studio and work in the book, An Eames Primer. The modest title implies an introduction and starting point to all the work of his grandparents but it is much more informative. What makes this book essential reading is the personal nature of the writing, connections, and the concept of "design addressing itself to the need."

Much of this personal nature is expressed in the chapter on the life of Charles Eames and Ray Kaiser before their meeting at Cranbrook, including extensive writing on each family history. This early period of their lives is illustrated by several drawings and paintings by Charles and Ray with each piece exhibiting a pleasing combination of color and form that would later become the hallmark of their work.

Demetrios devotes two pages on the issue of the Eameses signing with either Knoll or Herman Miller for the plywood group. This analysis, which isn't really dealt with in other books, is a rational and logical explanation of Charles and Ray's principles and their main concern about simply marketing a "good chair". For anyone interested in this crucial choice the author has formulated an essential case for the decision to go with Herman Miller.

One of the many highlights of the book is a wonderful collection of color photographs of different objects hanging from the ceiling of the Eames House that is pure aesthetic delight. Also, the bottom right corner of each page serves as a flipbook tour of the expansive 901 Studio.

What must have been an amazing event in film exhibition is Glimpses of the USA at the American Pavilion in Moscow in 1959. The seven-screen presentation of life in the United States shows a cultural identity of amazing diversity and Demetrios explains the process behind the production of this film. In an unbelievable set of circumstances, the American government had given Charles and Ray complete freedom to produce this film at the height of the Cold War with no "final cut" approval from Washington. Several pages also describe the production of the two versions of Powers of Ten. These films required experiments in film technology and camera work and Demetrios fully describes the process. The many contributions of staff members and outside consultants are thoroughly explained.

Throughout the book, many former Eames Office members and consultants describe their experience of working in the studio on the amazing variety of projects. Issues of design attribution are commented upon and examined for several projects.

Two days after finishing the book I retrieved Eames Design and several other excellent books and realized that everything now seemed much clearer after reading Primer. Perhaps Demetrios is correct in giving his work that modest title. The clean and clear connection has been analyzed and described so that it all seems so perfectly obvious. This is an informative educational book written in a casual but serious style and a worthy addition to a personal library.